Acrylic

Acrylic portraits

St. Francis Xavier, Patron Saint of Missionaries

In celebration of St.Francis Xavier

"En el Nombre del Padre..." San Francisco Javier Baptizing, retablo painting by AVonnHartung, in Parroquia San Francisco Javier (Trujillo Alto, Puerto Rico)This painting shows the humble Jesuit missionary baptizing a youth

St. Francis Xavier brought more than 30,000 souls into the Faith. Known as the “Apostle of the Indies” and “Apostle of Japan”, he is said to have converted more people than anyone else has done since Saint Paul.

 

This Painting/Retablo was commissioned by Padre Julio Victor García in 2002 for Iglesia San Francisco Javier (Trujillo Alto, Puerto Rico). It measures 6 feet in width by 11 feet in height and is my original design, built from solid mahogany, painted in acrylic and gilded with gold and copper leaf.

The vertical format symbolizes this world, our Church and the witness of the life and evangelizing work of San Francisco Javier.

The frame, through its striking presence displays the Sign of the Cross with which we as Christians identify ourselves in and through Baptism. It represents the tireless work of St. Francis, from sunrise to sunset, and the eternal truth, the Alpha and Omega of Christ. It acts as a window through which we enter to find further truths.

St. Francis Xavier is portrayed baptizing a youth who symbolizes the future church whose people are seen coming to the Faith.

The Holy Family is represented by any and all who do the Will of the Father in bringing young souls to be saved.

The Children brought forth by their Godparents engage us in reflection and contemplative prayer.

The Holy Trinity: Above the head of St. Francis is depicted the sacred image of The Holy Trinity, originally written (painted) by the great 15th century Russian iconographer Andre Rublev. Its inclusion is meant to draw us into the mystery of God,and to remind us of God’s love. It also prophetically reminds us of Jesus’ words as expressed in John 15: 26-27 (“When the Advocate comes whom I will send you from the Father, the Spirit of truth that proceeds from the Father, he will testify to me. And you also testify, because you have been with me from the beginning.”)

The Background: Surrounding this cascade of divinity with its luminous light and vapors, are luxurious examples of Holy Creation as expressed in the abundance of nature – by the breadfruit and mango trees, symbolizing Love, Beauty and Resurrection, and by the depiction of the dove which is drawn closer, and the serpent which is driven away.

“They who pray with faith have fervor and fervor is the fire of prayer. This mysterious fire has the power of consuming all our faults and imperfections, and of giving to our actions, vitality, beauty and merit.” (Francis Xavier)

 

“Let it be Done”

 

 

 

"Let it be Done", painting by AVonnHartung for Walsingham UK

Deep in the night with the Star of Jesus centered in the sky, Mary is in prayer, surrounded by the symbols of her faith.She prays that in some small way she might serve in the coming of the promised Messiah. Suddenly her prayers are answered!

The ceiling opens!

The Angel Gabriel descends in divine glory and declares the message from God the Father. After pondering deep in her heart the words and their meaning, Mary gives her consent.

At that very moment she is filled with the luminous light of grace as she vows to fulfill the will of the Father and to deliver His only Son incarnate as Jesus Christ into the world according to His divine plan for our salvation.

This original painting by AVonnHartung (acrylic 36″x 60″) was created for EWTN (UK)’s new welcoming center at the National Shrine of England (Mary’s House of Nazareth) in the village of Walsingham. The painting is an interpretation of the visions received by Blessed Anne Catherine Emmerich (Augustinian Nun) in 1821, with some added symbolism by the Artist to enhance and clarify the spiritual and prophetic consequences of the Annunciation Event.

THE WALSINGHAM STORY

“In 1061, the widow of the lord of the manor of Walsingham (Richeldis de Faverches) had a series of visions of the Virgin Mary, who showed her the house in Nazareth where the angel Gabriel made his revelation of the forthcoming birth of Jesus. Our Lady asked Richeldis to build a replica of the holy house in Walsingham.” It was at a time when it was extremely dangerous to visit the Holy Land, so this replica of Mary’s House would afford English Christians the opportunity to pay homage to her house in their own country. Walsingham became the premier shrine, and a large Christian community and monastery grew in its proximity.

“During medieval times, Walsingham was visited by thousands of pilgrims from all over Britain and Europe, including nearly all the kings and queens of England from Henry III (c1226). Royal visits continued right up to Henry VIII (1511). Then came the Reformation in 1538.”
When the pope refused to grant him a divorce from Catherine of Aragon, Henry VIII ordered the destruction of Mary’s House in 1538. It was burned to the ground and the statue of Our Lady was taken to London to be destroyed.
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The Shrine at Walsingham is visited today by 350,000 pilgrims annually.

 “When England returns to Walsingham, Our Lady will return to England.”

(Pope Leo XIII)

SYMBOLISM IN THE PAINTING

The opening of the roof exposes the open sky showing the constellations of Virgo and Leo and the location of the holy house in Nazareth. The Star of Jesus, better known as the Star of Bethlehem, is used here to signify the presence and the will of the Father.

Mary’s Halo shows an ethereal lightening, a shimmering of the atmosphere around her head, indicating her divine nature; her luminosity and state of grace.

The Scroll on the prayer table symbolizes the prophecy of Isaiah (“Behold a virgin shall conceive, and bear a son, and his name shall be called Immanuel” Isaiah 7:14).

Mary’s belt shows a symbol of the Fetus.

The Three Lilies on the prayer table remind us of the promise of Joseph to honor Mary’s vow of virginity and dedication to the Lord.

The Three Lilies carried by the angel Gabriel are a sign of the fulfillment of her vow and a blessing of her faithfulness.

The Rug (woven in lamb’s wool) represents Mary’s faith and prayer life. Its design, which emanates from and surrounds the Star of Jesus (“For we have seen his star in the east…” Matthew 2:2) is made up of symbols and scenes in the life of Christ to come.

The design of the the Floor Tiles symbolizes the flow which spread the Christian Faith from nation to nation throughout the world (“Go ye and teach all nations baptizing them in the name of the Father, and the Son and of the Holy Spirit” Matthew 28:19).

The Fireplace is a symbol of the home and family, of warmth, well-being and security.

The Drawn Curtain on Mary’s bed reminds us of the torn veil of the temple (Matthew 27:51); a symbol of hope reminding us of Christ’s sacrifice on the cross, death and resurrection and promise of eternal life; the faint spectrum of color emanating from the curtain, a symbol of revelation.

The Hope Chest beneath the bed reminds us of the simplicity and humble social status of Mary, the young bride of Joseph the Carpenter. This same Mary who will become the Mother of God.

Amen