Sacred Art Woodcarvings

St. Luke the Evangelist

Today October 18th is the Feast Day of St. Luke the Evangelist, patron saint of physicians and artists. On this occasion I pay special homage to him with this wood sculpture.

St. Luke high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)
“St. Luke” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)

Artistically I have placed St. Luke the Evangelist in the center of his mission.  In addition I have conveyed, a feeling of the harmony brought to him through the gift of the Holy Spirit.

Luke was St. Paul’s companion and biographer. Additionally he authored of Acts of the Apostles, a continuation of his gospel. By the style of his hair and garments I indicate his Syrian gentile origin of Greek lineage. I have juxtaposed Luke to the winged ox, symbol of sacrifice, patient servitude and strength.  Additionally, I have portrayed the Parable of the Sower from his gospel (Lk 8:4-9).

The tempestuous backdrop witnesses to his shipwreck with Paul (Acts 27:13-42) and the many trials and tribulations he experienced struggling to keep pace with him on his missionary journeys. Luke holds his written witness in a book (gospel) that looks much like we might perceive a paperback because of the dynamics of his perilous travels with Paul.

Luke “studied the life and words of Jesus with utmost care, knew and relied upon witnesses to the actual events–including Mary and St. John–and devoted some time to speaking with the women who had traveled with Jesus. The Gospel [of Luke] is thus especially notable for the respect and attention it pays to women in the Church, in contrast to the role of women both in Jewish and pagan society…Luke stresses the mercy of God, documenting the merciful acts of Christ…Luke also devoted much attention–more than his fellow evangelists–to the interior life of prayer…” (OSV’s Encyclopedia of Catholic History, by Matthew Bunson, D.Min.)

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St. Peter the Apostle

“…and so I tell you, Peter: you are a rock, and on this rock foundation I will build my church, and not even death will ever be able to overcome it. I will give you the keys of the Kingdom of heaven; what you prohibit on earth will be prohibited in heaven, and what you permit on earth will be permitted in heaven.” (Matthew 16:18-19)

St. Peter high relief wood sculpture by AVonnHartung
“St. Peter” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)

Artistically I have tried through composition and subject matter to place St. Peter in the center of his mission. I have strived to impart a feeling of the harmony brought to him through the gift of the Holy Spirit. In his countenance as a man I show his strength and vulnerability as well as the dynamic quality of his inspiration.

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He is Risen

"He is Risen" is a carved tabernacle door by A.VonnHartung“He is Risen” is a carved tabernacle door depicting the hillside of Jerusalem where Jesus was buried. The rising sun shows it to be Easter morning as the three women skip down the path together in an expression of great joy upon realizing that Jesus has risen.

The grave is empty, sculpted out to serve as the handle of the door, so each time the priest opens the tabernacle, he must put his hand into the empty tomb.

 

Commissioned in 1992 by Padre Jorge Castillejo Lluisiá for Casa de Niños Manuel Fernández Juncos, San Juan, Puerto Rico

The Agony of Crucifixion

Agony of Crucifixion wood sculpture by A.Vonn Hartung for St. John's Catholic Church (Montville, Connecticut)
            The Agony of Crucifixion

From noon until three in the afternoon darkness came over all the land. About three in the afternoon Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” (which means “My God, my God, why have you forsaken me?” (Mt 27)

I carved this crucified Christ, “The Agony of Crucifixion” after an in-depth study of the book  A Doctor at Calvary by Pierre Barbet M.D.,  a forensic pathologist’s analysis of the Holy Shroud of Turin. It reveals a graphic account of Jesus’s suffering at the hands of the Romans. “A theory attributed to Pierre Barbet holds that, when the whole body weight was supported by the stretched arms, the typical cause of death was asphyxiation. He wrote that the condemned would have severe difficulty inhaling, due to hyper-expansion of the chest muscles and lungs. The condemned would therefore have to draw himself up by the arms, leading to exhaustion, or have his feet supported by tying or by a wood block. When no longer able to lift himself, the condemned would die within a few minutes.”

The main results of the study show in the carving the effects of asphyxiation symptoms where all the muscles of the body cramp up due to lack of oxygen and cause massive cramps resulting in agonizing death.

So precise was this macabre form of torture and death, that in the way the Romans hung the bodies to the cross they could determine how long it would take the victim to die.

 Msgr. Bronislaw Gadarowski commissioned this life-size wood sculpture for St. John’s Catholic Church in Montville, Connecticut. The artist carved it in linden wood (circa 1981)  

NOTE—I remember when I returned to the church a few days after it was installed; it had to be in maybe 1983. When I walked into the church there were at least five people on their knees looking up at the crucifix; they were Polish second generation faithful. A short time afterwards, the priest told me that they were thinking about taking it down and only putting it up during Lent because some parents said it scared their children! Two years later when I visited the church during Lent; there was a newly installed Priest—I think he was from Quebec. I told him about the incident with the Kids. He looked at me and said, “I sit underneath it. I worry it might fall on me.” So it has some provenance!

View video The Passion of our Lord

Ver video La Pasión de nuestro Señor

Two contemplative videos (English and Spanish versions) showing the Passion of our Lord Jesus Christ (his arrest, taking up of the cross, crucifixion, death and burial) through original paintings and wood sculptures by the artist A.Vonn Hartung, accompanied by meditative music.

Madre Dolorosa Sorrowful Mother

La Madre Dolorosa (Sorrowful Mother) woodcarving by A.Vonn Hartung
La Madre Dolorosa
(Sorrowful Mother)
woodcarving by A.Vonn Hartung

 

Madre Dolorosa Sorrowful Mother, a high-relief wood carving, expresses the agony of Jesus through His mother Mary. Specifically, the betrayal by Judas, the arrest, torturous scourging, trial, carrying of the cross, and finally the agonizing crucifixion and death at Golgotha.

The Sorrowful Mother contemplates the seven sorrows of her life, represented by the seven swords piercing her heart.

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