In this wood carving, “Epiphany of the Miracle of the Eucharist”, I express the Epiphany of the Miracle of the Body and Blood of Jesus Christ in the Holy Eucharist.
As is revealed to us concerning the Last Supper (Matthew 26:26-28)— While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take and eat; this is my body.”Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you.This is my blood of the covenant, which is poured out for many for the forgiveness of sins.
I carved Mary, Mother of Jesus at the foot of the Cross in the moment of Epiphany of the Miracle of the Eucharist!
Mother Mary receiving the body and blood of Jesus her son into the form of the Holy Eucharist is, to me, the fulfillment of the Incarnation.
The original use of the word Epiphany is associated with the Divine Revelation in the visit of the Magi at the birth of our Lord, baby Jesus at Bethlehem. This signifies that God came to Earth in human form for “the Gentiles and their kings and to the people of Israel.” (Acts 9:15)
Photo by John Betancourt
Epifanía del Milagro de la Eucaristía
En esta talla de madera, “Epifanía del Milagro de la Eucaristía,” expreso la Epifanía del Milagro del Cuerpo y Sangre de Jesucristo en la Santísima Eucaristía.
Como se nos revela respecto de la Última Cena (Mateo 26:26-28)—
Mientras comían, Jesús tomó pan y lo bendijo. Luego lo partió y se lo dio a sus discípulos, diciéndoles:—Tomen y coman; esto es mi cuerpo. Después tomó una copa, dio gracias y se la dio a ellos diciéndoles:—Beban de ella todos ustedes. Esto es mi sangre del pacto que es derramada por muchos para el perdón de pecados.
¡He tallado a María, Madre de Jesús al pie de la Cruz en el momento de la Epifanía del Milagro de la Eucaristía!
La Madre María recibiendo el cuerpo y la sangre de Jesús, su hijo, en la forma de la Sagrada Eucaristía es, para mí, el cumplimiento de la Encarnación.
El uso original de la palabra Epifanía está asociado con la Revelación Divina en la visita de los Reyes Magos en el nacimiento de nuestro Señor, el niño Jesús en Belén. Esto significa que Dios vino a la Tierra en forma humana para “los gentiles y sus reyes y para el pueblo de Israel”. (Hechos 9:15)
“The Holy Family” is an illuminated high relief woodcarving in tropical cedar and mahogany measuring 42 by 44-inches.
It testifies to the revelations, dreams, miracles, and prophecy of the divine events leading up to and beyond the Incarnation of our Lord and Savior Christ Jesus. It is subtitled “The Faith of St. Joseph”, as it is in Faith that we hope and have our being in the triune God of the Father, the Son, and the Holy Spirit.
The Holy Family
Like ancient Christian sacred art, whether found in the catacombs of Rome or icons from the 5th century, sacred Christian images are still made today as testimony to the Incarnation of God in our Lord Jesus Christ and the holiness of the saints in the history of Salvation.
“The Holy Family”, a wooden sculpture represents Jesus, Mary, and Joseph in the temple environment of Luke chapter 2.
Jesus, Mary, Joseph
Its composition is inspired by architectural elements and its images and symbols as artistically constructed in Catholic churches, taken from the Sacred Liturgy, showing various miracles, revelations, and Prophecies from the Bible.
Mary’s awareness of who Jesus is, Jesus’ unity with his Father, and Joseph’s deep faith expressed through his closed eyes (John chapter 20 verse 29: “Blessed are those who have not seen and believed”), and with the lion and the lamb taken from the prophecy of Isaiah, chapter 11.
The Annunciation
Represented here is Mary’s direct encounter with the angel Gabriel at The Annunciation (Luke, chapter 1).
Wedding at Cana
Her understanding of Jesus’ divine power will be revealed in the first miracle at the wedding at Cana (John chapter 2).
The Gospel says little of St.Joseph. “It does not record even one word spoken by Joseph, the carpenter of Nazareth. And yet, even without words, he shows the depth of his faith, his greatness.” (Pope Saint John Paul II)
Joseph’s faith instead comes through dreams, first in the angelic council at the time of his marriage to Mary (Matthew chapter 1) and again in Bethlehem when the angel of the Lord warns him to flee to Egypt away from the murderous jealousy of King Herod (Matthew, chapter 2).
Depicted here is a scene (extra-biblical) that shows Jesus, as an adult and before beginning his ministry, in his family’s home and in their carpentry shop with the tools of his trade.
Sacred Christian Art is not achieved by the artist alone, but with the Holy Spirit and the believer who looks in contemplative prayer, beyond matter to transcendence.Some of this I know from my own interaction with works of Sacred Art and my personal prayerful struggle to bring the Word to life, to make visible what would otherwise remain as thought.
in which I describe the life of the saint and the process of carving the statue
Saint Dymphna
How did this statue of Saint Dymphna come about?
Excerpts of a Message to his parishioners from Father Mark O’Donnell,
Pastor of St. Joseph Catholic Church
St. Dymphna, a saint for the ages
When I first arrived at St. Joseph Parish almost 10 years ago, I was approached by three parishioners who asked me, “Father who is the patron saint for those afflicted with nervous, mental and emotional illness?” Without pausing I said, “Saint Dymphna”. After I told them about her story, they told me that they would love to have a statue of her in the sanctuary because every family has been affected by mental and emotional illness. I said I would try to get a statue of her so that we could pray for her intercession and for healing for all those who suffer.
Well, it is almost 10 years later and the need for St. Dymphna’s help could not be more urgent in the world we live in. The pandemic with Covid 19 has mentally and emotionally taken a toll on everyone’s health and well-being. It has tragically taken too many lives through the disease itself, and the lives of those who are addicted to drugs and through some who desperately turned to suicide because they felt isolated and dehumanized.
When Neil Hartung, a wonderful parishioner, died unexpectedly on the Feast of the Immaculate Conception on December 8, 2019, I met his brother Vonn Hartung who is a renowned artist in Puerto Rico. Neil always spoke fondly of his brother and with fraternal love. I spoke with Vonn and proposed he begin to do some research on the history of this great saint. He became enthralled with her courageous life and martyrdom. In every detail he researched her life and we agreed that a statue was indeed needed here in New London for everyone to pray for her intercession. I started to share this news with the people that originally approached me 10 years ago and they were completely on board. Slowly the word has spread that St. Dymphna was being created for St. Joseph Church in the St. Brendan the Navigator Catholic Community.
I commissioned Vonn Hartung to artistically bring this great saint to life.
He started with tropical cedar and glued the wood together in a solid block. Slowly he has been carving and forming the block of wood into a five-foot statue of St. Dymphna… we give thanks to God for this wonderful saint for the ages, especially for today. We hope St. Dymphna will arrive by September first of this year…Fr. Mark
“According to Catholic and Orthodox tradition, Dymphna was born in Ireland in the 7th century. Her father Damon was a petty king, her mother a devout Christian.
When Dymphna was 14 years old, she consecrated herself to Christ and took a vow of chastity. Shortly thereafter, her mother died. Damon had loved his wife deeply, and in the aftermath of her death his mental health sharply deteriorated. Eventually the king’s counsellors pressed him to remarry. Damon agreed, but only on the condition that his bride would be as beautiful as his deceased wife. After searching fruitlessly, Damon began to desire his daughter because of her strong resemblance to her mother.
When Dymphna learned of her father’s intentions, she swore to uphold her vows and fled his court along with her confessor Father Gerebernus, two trusted servants, and the king’s fool. Together they sailed towards the continent, eventually landing in what is present-day Belgium, where they took refuge in the town of Geel.
Her father tracks her down!
One tradition states that once settled in Geel, Dymphna built a hospice for the poor and sick of the region. However, it was through her wealth that her father would eventually ascertain her whereabouts, as some of the coins used enabled her father to trace them to Belgium. Damon sent his agents to pursue his daughter and her companions. Upon discovery of their hiding place, he travelled to Geel to recover his daughter. He ordered his soldiers to kill Gerebernus and tried to force Dymphna to return with him to Ireland, but she resisted. Furious, Damon drew his sword and struck off his daughter’s head. She was said to have been 15 years old when she died.
After Dymphna and Gerebernus died, the residents of Geel buried them in a nearby cave. Years later, they decided to move the remains to a more suitable location. Some of her remains are at the shrine to Dymphna in Massillon, Ohio, United States.
The most outstanding miracle is one that began in the thirteenth century and continues to this day.
In 1349 a church honoring St. Dymphna was built in Geel. By 1480, so many pilgrims were coming from all over Europe, seeking treatment for psychiatric disorders that the church housing for them was expanded. Soon the sanctuary for those considered “mad” was again full to overflowing, and the townspeople began taking them into their own homes.
Thus began a tradition for the ongoing care of those with psychiatric conditions that has endured for over 500 years. Indeed it is still studied and admired today. Moreover, Geel’s inhabitants have continued to take patients into their homes. In fact, they call them boarders, never patients and treat them as ordinary and useful members of the town. Correspondingly, the hosts treat them as members of their families. They work, most often in menial labor, and in return, they become part of the community. Some stay a few months, some for decades, and others for their entire lives. Eventually, at its peak in the 1930s, the town’s inhabitants housed over 4,000 ‘boarders’.”
St. Dymphna is the patron saint of mental illness and anxiety.
Her Feast Day is May 15
Prayer to Saint Dymphna
Lord, our God, you graciously chose St. Dymphna as patroness
of those afflicted with mental and nervous disorders.
She is thus an inspiration and a symbol of charity to the thousands who ask her intercession. Please grant, Lord, through the prayers of this pure youthful martyr,
relief and consolation to all suffering such trials, and especially those for whom we pray. (Mention those for whom you wish to pray).
We beg you, Lord, to hear the prayers of St. Dymphna on our behalf.
Grant all those for whom we pray patience in their sufferings
and resignation to your divine will.
Please fill them with hope and grant them the relief and cure they so much desire. We ask this through Christ our Lord who suffered agony in the garden. Amen
I carved this icon in American Linden wood. It is an interpretation influenced by the tradition of Eastern Orthodox Iconography. Saint Michael the Archangel stares down the evil one who he has pinned with his staff. I carved in the upper corners the two fallen angels as they shrink away in shame from His divine power.
“Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil; May God rebuke him, we humbly pray; And do thou, O Prince of the Heavenly Host, by the power of God, thrust into hell Satan and all evil spirits who wander through the world for the ruin of souls. Amen.”
Esculpí este icono en madera de tilo americano. Es una interpretación influenciada por la tradición de la iconografía ortodoxa oriental. San Miguel Arcángel mira fijamente al maligno que ha inmovilizado con su bastón. Esculpí en las esquinas superiores a los dos ángeles caídos mientras se alejaban avergonzados de Su poder divino.
San Miguel Arcángel, defiéndenos en la lucha. Sé nuestro amparo contra la perversidad y acechanzas del demonio. Que Dios manifieste sobre él su poder, es nuestra humilde súplica. Y tú, oh Príncipe de la Milicia Celestial, con el poder que Dios te ha conferido, arroja al infierno a Satanás, y a los demás espíritus malignos que vagan por el mundo para la perdición de las almas. Amén.
My most recent wood sculpture, carved through the period of the hurricanes Irma and MARIA. Approximately 3 feet high, carved in Tropical Cedar because of the desired color and its resistance to termites here in Puerto Rico. For Capilla Maria Auxiliadora, a small chapel in rural Carolina, Puerto Rico.
I’ve carved St. Joseph as a protector and a traveler; a stand-up guy who was always looking out for his wife and child, ready to defend them along the way of life which was full of dangers. He was a man of deep Faith who received his revelations through DREAMS: that Mary was the mother of God and that he should get out of Bethlehem and go to Egypt to escape the danger of Herod who wanted to kill the newborn King. Of course, we know he was a carpenter and must have been a wonderful father.
If you can make it, to start a new hobby or to continue more advanced study, this class is for you!
Although St. Edmund’s is a Catholic Order, it is ecumenical in spirit and outreach and all are welcome! Hope to see you there!
One of the breathtaking views on this 11 acre island
“Described as a ‘little known gem’ this 11 acre island is surrounded by beautiful gardens framing breathtaking ocean vistas. Home to St. Edmund’s Retreat, there is a soulful tranquility to this place that seems to hang in the air with the ocean breezes. There are plenty of garden paths to walk and seaside benches to soak in the sun and saltwater air. It is a short trip into the picturesque coastal village of Stonington, CT., one of the last remaining authentic New England fishing villages…” (Assisi Institute)
He is shown here with St. Mary whom he cared for after our Lord’s crucifixion (Jn 19:26, 27) at Ephesus in Turkey, the Isle of Patmos on the horizon where he was imprisoned and wrote Revelation.
He embraces his gospel to his heart bringing to mind the Cross and Passion of our Lord. Significantly, his crossed arms define the shape of a chalice (the sacred blood) and an hourglass. Indeed it reminds us that Christ is the Alpha and the Omega.
Above the saint flies the eagle, John’s symbol of vision and highest inspiration. Specifically, it carries away a serpent because according to legend, Emperor Domitian once spiked the saint’s wine with poison. Subsequently and miraculously it turned into a snake and slithered out of the cup.
High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul’s Catholic Church, Pensacola, Florida (photo by Steven Schloeder/Liturgical Environs PC)
This high relief wood sculpture, St. John Apostle and Evangelist is12-inches x 33-inches x 3-inches. It is one of six saints carved by A.Vonn Hartung. Pastor Doug Halsema commissioned them for the Ambo of St. Paul’s Catholic Church in Pensacola, Florida. Dr. Steven Schloeder of Liturgical Environs PC was the liturgical consultant.
The saints are all directed towards the center of the Ambo, as though they are again listening to and reliving the truth and reality of Christ Jesus, that because of them and through them the gift of the Holy Spirit continues to live in us in the Liturgy of the Word.
Today October 18th is the Feast Day of St. Luke the Evangelist, patron saint of physicians and artists. On this occasion I pay special homage to him with this wood sculpture.
“St. Luke” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)
Artistically I have placed St. Luke the Evangelist in the center of his mission. In addition I have conveyed, a feeling of the harmony brought to him through the gift of the Holy Spirit.
Luke was St. Paul’s companion and biographer. Additionally he authored of Acts of the Apostles, a continuation of his gospel. By the style of his hair and garments I indicate his Syrian gentile origin of Greek lineage. I have juxtaposed Luke to the winged ox, symbol of sacrifice, patient servitude and strength. Additionally, I have portrayed the Parable of the Sower from his gospel (Lk 8:4-9).
The tempestuous backdrop witnesses to his shipwreck with Paul (Acts 27:13-42) and the many trials and tribulations he experienced struggling to keep pace with him on his missionary journeys. Luke holds his written witness in a book (gospel) that looks much like we might perceive a paperback because of the dynamics of his perilous travels with Paul.
Luke “studied the life and words of Jesus with utmost care, knew and relied upon witnesses to the actual events–including Mary and St. John–and devoted some time to speaking with the women who had traveled with Jesus. The Gospel [of Luke] is thus especially notable for the respect and attention it pays to women in the Church, in contrast to the role of women both in Jewish and pagan society…Luke stresses the mercy of God, documenting the merciful acts of Christ…Luke also devoted much attention–more than his fellow evangelists–to the interior life of prayer…” (OSV’s Encyclopedia of Catholic History, by Matthew Bunson, D.Min.)
“…and so I tell you, Peter: you are a rock, and on this rock foundation I will build my church, and not even death will ever be able to overcome it. I will give you the keys of the Kingdom of heaven; what you prohibit on earth will be prohibited in heaven, and what you permit on earth will be permitted in heaven.” (Matthew 16:18-19)
“St. Peter” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)
Artistically I have tried through composition and subject matter to place St. Peter in the center of his mission. I have strived to impart a feeling of the harmony brought to him through the gift of the Holy Spirit. In his countenance as a man I show his strength and vulnerability as well as the dynamic quality of his inspiration.
