faces of Jesus

Through Him all things were made Jn 1:3

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 It was 49 years ago that we first received an image of ourselves from the Moon. In the process of sending a man to the moon for the first time, Joseph Allen, one of the astronauts who was involved in the planning process, recalls:

“Among all the arguments that were made for and against traveling to the Moon, nobody mentioned the possibility that the best reason would be simply to observe ourselves.”

Undeniably, that turned out to be the reason. In other words, to see ourselves from outside as a planet. Thus, when we received the photo of our planet, it was a global revelation that changed the way we think. Thereafter, our consciousness has never been the same. Specifically, we saw ourselves as we truly are: alone in the vast darkness of space, small, delicate, resplendent with life and divine beauty. Through Him all things were made.

To clarify, it was not until the beginning of the 70’s that we began to think about ethics and care of the environment. Generally, only mystics and environmentalists had commented on this. However, since then, everything has changed. Notably, the world has responded with numerous vital reflections. Moreover, we now have the scientific tools and the philosophical and ethical thinking to begin to reason about our responsibility regarding the environment.

On Earth as it is in Heaven

 

Laudato Si’ spells it all out

Correspondingly, I  painted this Work (Oil painting on wood panel, 42 x 57″) when I was a member of the Justice and Peace Commission of C.O.R. here in San Juan, Puerto Rico, back in 1992. Indeed, I was inspired in part because of the deteriorating environmental conditions on this most delicate island—specifically, the thoughtless over-development and pollution that was going on, and the destruction of local communities. Unquestionably, Pope Francis’s Encyclical Laudato Si’ On Care for our Common Home spelled it all out completely. Undeniably, its message was clear and eloquently stated. Hence, it was a theological clarification of what all the science said. Furthermore, for me, Hurricane Maria provided explicit proof of it!

Two possibilities

To summarize, the painting is rhetorical in concept and presents us with two possibilities. That is, one in harmony with God’s Creation. In other words, a future of justice, peace, and sustainability. The other of plunder, chaos, endless war, and an ultimate collapse of nature and life on our planet, as we know it.

The Earth is depicted as an egg. This is intended to metaphorically symbolize the fragility of the Earth’s ecosystem, as well as its natural abundance and fertility.

The metaphor of the egg is also used to illustrate a broken covenant and the resulting rupture of Earth’s fragile ecology, as well as humanity’s fall from grace. Indeed, this has been caused by a flawed linear economic system based on the misuse of power and wealth, symbolized by the unholy use of GOLD.

Caring for the environment is a moral issue.

There is no doubt about this. We humans have the tools to destroy or save civilization because God created us with that capability. But he also gave us free will.

Caring for the environment is a moral issue. Through Him all things were made. Pope St. John Paul II emphasized the priority of ethics over technology and spirit over matter.

If we destroy the earth, we destroy the divine creation, we destroy ourselves.

Is that God’s plan? Is that our plan?

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Por medio de él todas las cosas fueron creadas (Jn 1:3)

Fue hace 49 años que hemos recibido por primera vez una imagen de nosotros mismos desde la Luna. En el proceso de enviar a un hombre a la luna por primera vez, Joseph Allen, uno de los astronautas que estuvo involucrado en el proceso de planificación, recuerda:

 

     “Entre todos los argumentos que se hicieron a favor y en contra de viajar a la Luna, nadie mencionó la posibilidad de que la mejor razón sea simplemente observarnos a nosotros mismos”.

Through Him all things were made Jn 1:3

Y, esa resultó ser la razón, para vernos desde afuera como planeta. Cuando recibimos la foto de nuestro planeta, fue una revelación mundial que cambió la forma de pensar. A partir de entonces, nuestra conciencia nunca ha sido el mismo. Nos vimos como realmente somos; solo en la inmensa oscuridad del espacio; Pequeño, delicado, resplandeciente de vida, divina belleza.

No fue hasta principios de los años 70 que comenzamos a pensar en la ética y el cuidado del medio ambiente. Esto sólo fue comentado por los místicos y los ambientalistas, pero desde entonces todo ha cambiado. El mundo ha respondido con una gran cantidad de reflexiones importantes. Ahora tenemos las herramientas científicas y el pensamiento filosófico y ético para comenzar a razonar acerca de nuestra responsabilidad con respecto al medio ambiente.

Through Him all things were made Jn 1:3
Así en la Tierra como en el Cielo

 

Laudato Si’ lo explicó todo

Pinté esta obra (pintura al óleo sobre panel de madera, 42 x 57 ″) cuando era miembro de la Comisión de Justicia y Paz de C.O.R. aquí en San Juan, Puerto Rico en 1992, inspirado en parte por el deterioro de las condiciones ambientales en esta isla tan delicada, el sobredesarrollo y la contaminación irreflexivos que ocurrían, y la destrucción de las comunidades locales. La encíclica del Papa Francisco Laudato Si’ Sobre el Cuidado de la Casa Común lo explicó todo por completo. Su mensaje fue claro y dijo de forma elocuente. Fue una aclaración teológica de lo que decía toda la ciencia, y para mí, ¡el huracán María aplastó la prueba de ello!

Dos posibilidades

La pintura es retórica en el concepto y nos presenta dos posibilidades: una en armonía con la Creación de Dios, un futuro de justicia, paz y sostenibilidad. El otro del saqueo, el caos, la guerra sin fin y el colapso final de la naturaleza y la vida en nuestro planeta, tal como lo conocemos.

La Tierra está pintada en forma de huevo, simbolizando metafóricamente la fragilidad del ecosistema de la Tierra, así como su abundancia y fertilidad natural.

La metáfora del huevo también se utiliza para mostrar un pacto roto y la ruptura resultante de la frágil ecología de la tierra y la caída de la humanidad en desgracia causada por un sistema económico lineal defectuoso basado en el abuso del poder y la riqueza, simbolizado por el uso profano de oro.

Una cuestión moral

No hay duda acerca de esto. Nosotros, los humanos tenemos las herramientas para destruir o salvar a la civilización, porque Dios nos creó con esa capacidad. Pero también nos creó con libre albedrío.

Cuidar el medio ambiente es una cuestión moral. Papa San Juan Pablo II hizo hincapié en la prioridad de la ética sobre la técnica, y el espíritu sobre la materia.

Si destruimos la tierra, destruimos la creación divina, nos destruimos a nosotros mismos.

 ¿Es ese el plan de Dios? ¿Es ese nuestro plan?

 

LEER MÁS SOBRE ESTA PINTURA

Compre una impresión giclée de esta pintura.

NOTE: This painting has been published in the Catholic textbook: “The Church Foundations and Mission”, High School Framework Course 4, by Carrie J. Schroeder, MDiv, EdD ©2020 St. Mary’s Press.

This painting has been exhibited in Centro Bellas Artes Alejandro Cruz Ortiz, Guaynabo, Puerto Rico, 26 March-26 June 1998; Departamento del Estado, San Juan, Puerto Rico, La Cuaresma (Lent) 2011; Universidad del Este Ana G Mendez, Carolina, Puerto Rico, La Cuaresma (Lent) 2005; Parroquia San Ignacio de Loyola, San Juan, Puerto Rico, 2023; and in many public places and churches in Puerto Rico.

Christ visits His Mother

Christ visits His Mother

a painting by A.Vonn Hartung

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Although extra-biblical and controversial, there is a tradition in Christian circles, especially in many Eastern Churches, that our risen Lord’s first visit was to His mother after His resurrection from the dead. Many Western saints subscribed to this belief, such as St. Albert the Great (Albertus Magnus, d.1280), St. Ignatius of Loyola (d.1553), St. Teresa of Avila (d.1582), and Pope St. John Paul II (d.2005). 

First Visit. The Risen Christ visits His mother
First Visit, acrylic painting on wood panel, 24 x 24 inches

Christ visits His Mother

John Paul II asked how the Blessed Virgin, who was “present in the first community of the disciples, could have been excluded from the number of those who encountered her divine Son risen from among the dead. On the contrary, it is legitimate to think that the Mother may really have been the first person to whom the risen Jesus appeared. Could not the absence of Mary from the group of women who approached the tomb at dawn constitute an indication that she had already met Jesus?

I humbly painted this scene symbolic of the Divine Bond between Mother Mary and her Son; a bond unique, mysterious, and wonderful.

Let us celebrate the Love between mother and child, children and mothers, and mothers and the Special Gift they have in bringing life into the world.

Happy Easter and Mother’s Day!

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First Visit / Primera Visita, acrylic painting on wood panel 24 x 24 inches

Aunque extrabíblica y controvertida, existe una tradición en círculos cristianos, especialmente en muchas iglesias orientales, según la cual la primera visita de nuestro Señor resucitado fue a su madre tras su resurrección. Muchos santos occidentales adhirieron a esta creencia, como San Alberto Magno (Alberto Magno, fallecido en 1280), San Ignacio de Loyola (fallecido en 1553), Santa Teresa de Ávila (fallecida en 1582) y el Papa San Juan Pablo II (fallecido en 2005).

Juan Pablo II se preguntó cómo la Santísima Virgen, “presente en la primera comunidad de los discípulos, pudo ser excluida del grupo de quienes se encontraron con su divino Hijo resucitado de entre los muertos. Por el contrario, es legítimo pensar que la Madre pudo haber sido realmente la primera persona a quien se apareció Jesús resucitado. ¿Acaso la ausencia de María del grupo de mujeres que se acercó al sepulcro al amanecer no podría constituir un indicio de que ya había encontrado a Jesús?”

Humildemente pinté esta escena simbólica del vínculo divino entre Madre María y su Hijo; un vínculo único, misterioso y maravilloso.

Celebremos el amor entre madre e hijo, hijos y madres, y madres y el don especial que tienen al traer vida al mundo.

¡Felices Pascuas y Día de la Madre!

Forever Young, Siempre Joven, Christ Among Us

Forever Young, Siempre Joven
Forever Young, Siempre Joven

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A 27 sq ft acrylic painting by A.VonnHartung, for the students of Colegio (High School) San Juan Bosco at Parroquia Maria Auxiliadora, Cantera, San Juan, Puerto Rico (Párroco Padre Colacho SDB).

Commissioned by the Director and Theology Professor, Padre Jorge Santiago SDB .

Was installed in the main hallway of the school on the Feast Day of San Juan Bosco 31 January 2017.

The painting expresses an Epiphany of Faith, Joy, Love of Community and Learning, so much evident in the Christ-filled spirit of the school.

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Siempre Joven / Forever Young

Una pintura acrílica de 27 pies cuadrados de A.VonnHartung, para los estudiantes del Colegio San Juan Bosco en la Parroquia María Auxiliadora, Cantera, San Juan, Puerto Rico (Párroco Padre Colacho SDB).

Encargado por el Director y Profesor de Teología, Padre Jorge Santiago SDB.

Fue instalado en el pasillo principal del colegio el día de la Fiesta de San Juan Bosco el 31 de enero de 2017.

La pintura expresa una Epifanía de Fe, Alegría, Amor a la Comunidad y Aprendizaje, tan evidente en el espíritu lleno de Cristo de la escuela.

Forever Young, Siempre Joven, acrylic painting, 27 square feet, by A.Vonn HartungDirector of School Padre Jorge Antonio Santiago SDB with artist Arturo Vonn Hartung and Felix “Junior” Rodriguez

Stations of Mercy

With great joy I share the news of this booklet recently published by the Catholic Truth Society (Publishers to the Holy See), “Stations of Mercy with Pope Francis” by Amette Ley ©2016, illustrated with my paintings of the Stations of the Cross, commissioned in 2001 by Mons. Antonio “Tito” José Vázquez for Parroquia Santa Rosa de Lima in Guaynabo (Barrio Amelia), Puerto Rico, blessed in 2002 by our Archbishop Mons. Roberto González Nieves OFM.

Con mucha alegría les comparto la noticia de este folleto recientemente publicado por la Catholic Truth Society (Editores de la Santa Sede), “Estaciones de la Misericordia con el Papa Francisco” de Amette Ley ©2016, ilustrado con mis pinturas del Vía Crucis, comisionado en 2001 por Mons. Antonio “Tito” José Vázquez para la Parroquia Santa Rosa de Lima en Guaynabo (Barrio Amelia), Puerto Rico, bendecido en 2002 por nuestro Arzobispo Mons. Roberto González Nieves OFM.

Booklet by Amette Ley published by Catholic Truth Society©2016 with paintings by AVonnHartung
Booklet by Amette Ley published by Catholic Truth Society©2016 with Stations of the Cross paintings by AVonnHartung
Jesus takes up his cross, ViaCrucis station 2 painting by A.Vonn Hartung
The book cover image is a detail of the second Station of the Cross painting (Jesus takes up His Cross)

Here is the description of this booklet from the Catholic Truth Society website:

“A journey with Pope Francis along the well-known Stations of Christ’s passion to discover at every step the boundless and life-giving mercy of God. Each Station is accompanied by a brief scripture passage and pertinent words of Pope Francis, giving his own particular insights into mercy. These themes of forgiveness and mercy, so important during the Year of Mercy, are readily absorbed by way of this simple and long-standing devotion.”

Un recorrido con el Papa Francisco por las conocidas Estaciones de la Pasión de Cristo para descubrir a cada paso la infinita y vivificante misericordia de Dios. Cada Estación está acompañada de un breve pasaje de la Escritura y palabras pertinentes del Papa Francisco, quien ofrece su particular perspectiva sobre la misericordia. Estos temas de perdón y misericordia, tan importantes durante el Año de la Misericordia, se asimilan fácilmente a través de esta sencilla y arraigada devoción.

The Catholic Truth Society is a non-profit company that has been publishing booklets for the Holy See since 1868.

La Sociedad de la Verdad Católica es una empresa sin fines de lucro que ha estado publicando folletos para la Santa Sede desde 1868.

 

I give thanks for this Blessing and Honor!

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Doors of Mercy

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Commissioned by the Archbishop of San Juan, S.E.R. Monseñor Roberto González Nieves for the arch above the main doors of Catedral San Juan Bautista in San Juan, Puerto Rico to commemorate Pope Francis’ declared Extraordinary Jubilee Year of Mercy 2015-2016.

Cristo Abriendo Las Puertas de Misericordia_AVonnHartung
                                                     Painting by A.Vonn Hartung

Our Merciful Christ opens the Doors of Mercy and Forgiveness to all who pass through them with repentant hearts.

The waves bow down to our Lord as when He calmed the Sea of Galilee, also representing the Island of Puerto Rico as well as Earth “Our Common Home“, an Island in the vast darkness and empty space of the endless universe which surrounds us.

The Doors open onto the paradise that is Heaven, the reward of all the faithful and repentant souls.

Pope Francis wished for the Jubilee to be celebrated not only in Rome but all around the world; for the first time, holy doors were opened in single dioceses, either in the cathedral or in historical churches. The Jubilee officially ended on 20 November 2016 with the closing of the Holy Door of Saint Peter’s Basilica, which had been open since the Holy Year began the previous December.

In the bull, Pope Francis stated about the opening of the Holy Door, “the Holy Door will become a Door of Mercy through which anyone who enters will experience the love of God who consoles, pardons, and instills hope.”**********

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Encargado por el Arzobispo de San Juan, S.E.R. Monseñor Roberto González Nieves para el arco sobre las puertas principales de la Catedral San Juan Bautista en San Juan, Puerto Rico para conmemorar el Año Jubilar Extraordinario de la Misericordia 2015-2016 declarado por el Papa Francisco.

Doors of Mercy—Cristo Abriendo Las Puertas de Misericordia_AVonnHartung
Misericordia, pintura sobre panel de madera

Nuestro Cristo Misericordioso abre las Puertas de la Misericordia y del Perdón a todos los que pasan por ellas con corazones arrepentidos.

Las olas se inclinan ante nuestro Señor como cuando calmó el Mar de Galilea, representando también a la Isla de Puerto Rico así como a la Tierra “Nuestra Casa Común”, una Isla en la vasta oscuridad y espacio vacío del universo infinito que nos rodea.

Las Puertas se abren al paraíso que es el Cielo, la recompensa de todas las almas fieles y arrepentidas.

El Papa Francisco deseó que el Jubileo se celebrara no solo en Roma, sino en todo el mundo; por primera vez, se abrieron las puertas santas en diócesis individuales, ya sea en la catedral o en iglesias históricas. El Jubileo concluyó oficialmente el 20 de noviembre de 2016 con el cierre de la Puerta Santa de la Basílica de San Pedro, que había estado abierta desde el inicio del Año Santo en diciembre del año anterior.

En la bula, el Papa Francisco declaró sobre la apertura de la Puerta Santa: «La Puerta Santa se convertirá en una Puerta de Misericordia, por la que todo aquel que entre experimentará el amor de Dios que consuela, perdona e infunde esperanza».

Doors of Mercy
Cristo abriendo las puertas de la misericordia en la Catedral San Juan Bautista
Doors of Mercy—installation
Instalación de pintura en Catedral San Juan Bautista

On Earth as in Heaven

On Earth as it is in Heaven

In response to our Holy Father Pope Francis’s call to dialogue and action on Climate Change in his Encyclical Laudato Si’ On Care for Our Common Home, published in 2015, I offer this metaphorical painting, On Earth as it is in Heaven,  as a visual prayer to raise consciousness and to encourage dialogue

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The title of the painting, “On Earth as it is in Heaven,”  is taken from the prayer Jesus taught us. That is, the Lord’s Prayer: Thy Kingdom Come, Thy Will Be Done, On Earth as it is in Heaven.

The painting is rhetorical in concept and presents us with only two possibilities.

One in harmony with God’s Creation. In other words, a future of justice, peace, and sustainability in the natural world. Conversely, the other is plunder, chaos, and endless war—subsequently, an ultimate collapse of nature and life on our planet, as we know it.

Moreover, the painting poses a question to the viewer, each one of us, regardless of our religion or beliefs. Which future do we want to live in, leave to our children and future generations?

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And they saw the tomb was empty…(Mark 16)

When Jesus was resurrected, becoming for us the Christ, in that moment, the world was changed forever for his believers.

Earth burst into blossom. Earth glowed with light in the deep night of time.

Everything, all creation, was illuminated with divine light, hope.

AS SUCH, I PAINTED THE STATIONS OF THE RESURRECTION (Via Lucis-The Way of Light)

And they saw the tomb was empty_ViaLucis1_painting on glass by AVonnHartung
And they saw the tomb was empty.

The intense color is meant to bring this miraculous change into our consciousness.

The colors are super infused with hue. Each color becomes the heightened essence of itself. To the uninformed eye, these “stained glass” windows on the Resurrection might look fantasia-like. They’re meant to be, however,  simple in form and basic in color.

 

"Mary Magdalene encounters the risen Jesus" ViaLucis2 painting on glass by AVonnHartung
Mary Magdalene encounters the risen Jesus.

The figures show emotion in their gestures, their exaggerated movements. This is to show that reality was turned on its head.

Something so unbelievable had occurred that it changed consciousness forever.

The world became full of hope and meaning because death had lost its power and its grip on humanity.

Hallelujah! He has risen!

"After the Resurrection Jesus appears to the women" ViaLucs3 painting on glass by AVonnHartung
After the Resurrection, Jesus appears to the women

These 14 Stations of the Resurrection (Via Lucis) adorn the upper reaches of the nave of Capilla San Juan Bosco in Orocovis (Barrio Gato), Puerto Rico. Padre Jorge Santiago Cartagena, SDB, commissioned them. Twelve similar windows were also commissioned by Padre Jose Luis Gómez, SDB for the church San Juan Bosco in Villa Palmeras, San Juan.

In 1998 Father Sabino Palumbieri, Salesian priest and professor of theological anthropology in Rome, “proposed the creation of a new set of stations [to complement the Stations of the Cross] centered upon the resurrection and the events following it to emphasize the positive hopeful aspect of the Christian story which, though not absent from the Stations of the Cross, is obscured by their emphasis upon suffering. The first major public celebration of this devotion was in 1990…”
It was officially sanctioned by the Vatican in 2001. (From Wikipedia-“Stations of the Resurrection”)

Contemplative Images for Holy Week

View a video of these Stations of the Cross, accompanied by sacred music

View video The Passion of our Lord

Ver video La Pasión de nuestro Señor

 

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 The reason for the use of Sacred Art in the Church is to make visible what is invisible, to bring us to a more heightened state of awareness and connection with God and His Saints that we might share more fully in His Glory and Love for us, that we might go forth and DO HIS WILL.

Sacred Places of Jesus’ Life, Death and Resurrection have always been venerated – early pilgrims retraced the Way of the Cross. So it was that the pilgrims brought back from The Holy Land the idea of recreating those sacred places and events to share with the faithful of their home churches.

It is said that Saint Francis of Assisi began the practice of the Stations of the Cross. It then spread throughout Italy and Europe. It was his practice to reproduce in a realistic way the events of our Lord’s life and deeds (an example, is his reported installation of the stable and manger with live animals and people in commemoration of the birth of Jesus).

In a similar way I conceived these Stations of the Cross to bring immediacy to the Passion of our Lord.

Each one measures 4-ft x 8-ft. This is because of the cavernous size and interior simplicity of the nave of the church, Santa Rosa de Lima, in the town of Guaynabo, Puerto Rico.  Intimacy was achieved by the use of local people as models and customs, so that the faithful might better identify with the trials that Our Lord and Savior suffered and died for because of His Love for us.

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Jesus is condemned to death. ViaCrucis Station 1 painting by AVonnHartung

Here we see Jesus, centered, surrounded by many but COMPLETELY alone, only those admitted from the status quo on both sides (although we see Flavia, wife of Pilate and perhaps Nicodemus who represent a small group of inside sympathizers).

In the midst of a crowded room He is a lonely figure. All signs point to Him, the columns, the center aisle and all who gesture, single Him out in accusation. He is The One! The cause of all their troubles, indignation and hatred! He must DIE!

 

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Television Interview with A.Vonn Hartung

Update: See the video interview

EWTN (Eternal Word Television Network) will be airing an interview on March 5, 2015 with A.Vonn Hartung about Blessed Carlos Manuel Rodríguez Santiago, and Vonn’s experience painting the portrait that is at the Vatican.

THE CHURCH IN PUERTO RICO (30 minute duration)
Thursday March 5 at 3:00 am & 6:30 pm Eastern Time
[Puerto Rico time: 4:00 am and 7:30 pm]

The first 15 minutes of the program is a conversion story about a young man who turned his life around and is now studying for the priesthood; the second part is the interview with Vonn.

The EWTN program can be seen on–
Liberty Cablevision Channel 103 ( in Puerto Rico)
Dish Network Channel 261
DirecTV Channel 350
ROKU

Please visit the EWTN website for channel listings in your local area.
http://www.ewtn.com

Blessed Carlos Manuel Rodríguez Santiago portrait by AVonnHartung_at Pontifical North American College Vatican
“Blessed Carlos Manuel Rodríguez Santiago”
Oil portrait-
at Pontifical North American College, Vatican

 

This is the oil portrait of Blessed Carlos Manuel Rodriguez Santiago by A.Vonn Hartung © 2001, presented to the Pontifical North American College at the Vatican on the occasion of the beatification of Carlos Manuel on 29 april 2001, and is on permanent display there in the Hall of Saints. Learn more

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