“Sacred Art”

Exhibit—La Palabra y la Piedra

 

Exhibit

La Palabra y la Piedra

Obras de A.Vonn Hartung

Universidad del Este Ana G Méndez, Carolina, Puerto Rico

3 marzo a 1 abril 2005 (durante Cuaresma)

Art Exhibit by A.Vonn Hartung "La Palabra y la Piedra" at Universidad del Este, Carolina, Puerto Rico, in 2005

Exhibit—La Palabra y la Piedra

En la exposición Vonn Hartung presenta el enfoque de su obra, en la cual se refleja el amor por la naturaleza, la búsqueda de los valores fundamentales de los seres humanos y la afirmación de la presencia espiritual en todo lo creado.

La exhibición incluye obras en óleo, esculturas en madera, dibujos y bocetos de murales realizados en diversas iglesias en Puerto Rico, además de serigrafías.

**********************************************

In the exhibition, Vonn Hartung presents the focus of his work, which reflects his love of nature, the search for fundamental human values, and the affirmation of the spiritual presence in all creation.

The exhibition includes oil paintings, wood sculptures, drawings, and sketches of murals created in various churches in Puerto Rico, as well as silkscreen prints.

Press release for exhibit by A.Vonn Hartung at Universidad del Este, Carolina, Puerto Rico in 2005
                           Press Release
Apertura de la Exposición La Palabra y la Piedra, presentación por Dr. Jaime Partsch, Universidad del Este (UNE), 2005

Presentation of the artist_opening exhibit at UNE

Exhibit—Toques de Fe

Exhibit

Toques de Fe: bajo la superficie

Obras de A.Vonn Hartung

Departamento del Estado

San Juan, Puerto Rico

31 marzo a 21 abril 2011

(durante Cuaresma)

Art exhibit by A.Vonn Hartung at the State Department, San Juan Puerto Rico in 2011

Reflexiones del artista

on his exhibit “Toques de fe”

Toques de fe” al igual que en las cuevas del sur de Europa de hace unos 30,000 años, expresan el lenguaje humano del cuento a través del arte y el simbolismo.

Los primeros artistas expresaron lo que era más significativo para ellos, ya sea para exaltar, aplacar o comunicarse con poderes más allá de su control o simplemente para celebrar la necesidad humana de expresión. Aunque pueden surgir controversias acerca de la corrección y legitimidad y aceptación de la expresión colectiva e individual, es y será siempre central en una sociedad vibrante,libre y atenta a las necesidades humanas.

 Mientras la humanidad pondera y experimenta con sus propios significados y relevancia, se nos confronta con la pregunta última y básica de quiénes somos, de dónde venimos y hacia dónde vamos, “D’où Venons-nous / Que Sommes-nous / Où Allons-nous”; tal como Paul Gauguin tan punzanamente planteara este misterio de la existencia en su pintura del siglo 19 del mismo título.

Aunque algunos de los “Toques” son eclesiásticos (encargados por la iglesia), muchos de ellos son revelaciones propias recibidas en la oración y en el acto de su creación. Es posible que Dios hiciera que el significado de la vida fuera paradójico por diseño, pero nos regaló la fe para que obráramos la gracia al encontrar el significado y la alegría en la seguridad que da el conocer su amor y promesa de salvación en su hijo Cristo Jesús.

“Toques de fe” explora esas imágenes de la fe tal como yo las entiendo e intento hacerlas visibles en sus manifestaciones interiores y externas. Cedo mi lugar a mis propias obras para alcanzar entendimiento, ya que ellas comunican de manera universal a través del lenguaje del arte y el simbolismo. Con la esperanza de que abra ventanas y puertas hacia esa luz brillante que he encontrado por medio de la fe en la belleza de las imágenes que hablan el lenguaje del espíritu.

Me parece muy apropiado ponderar estos “Toques de fe: bajo la superficie” durante esta época crucial en nuestra búsqueda de significado y realización.

*****************************************

Reflections by the artist

on his exhibit “Toques de fe”

“Toques de Fe” (Touches of faith), as in the caves of southern Europe some 30,000 years ago, express the human language of storytelling through art and symbolism.

Early artists expressed what was most meaningful to them, whether to exalt, appease, or communicate with powers beyond their control, or to celebrate the human need for expression. While controversies may arise about propriety, legitimacy, and acceptance of collective and individual expression, it is and always will be central to a vibrant, free, and responsive society.

As humanity ponders and experiments with its own meanings and relevance, we are confronted with the ultimate and fundamental question of who we are, where we came from, and where we are going, “D’où Venons-nous / Que Sommes-nous / Où Allons-nous”; just as Paul Gauguin so poignantly posed this mystery of existence in his 19th-century painting of the same title.

Although some of the “Toques” are ecclesiastical (commissioned by the church), many of them are self-revelations received in prayer and in the act of their creation. God may have designed the meaning of life to be paradoxical, but he gave us faith to work with grace by finding meaning and joy in the security that comes from knowing his love and promise of salvation in his Son, Jesus Christ.

“Toques de Fe” explores these images of faith as I understand them and attempts to make them visible in their inner and outer manifestations. I surrender to my own works, allowing them to achieve understanding, as they communicate universally through the language of art and symbolism. In the hope that it will open windows and doors to that brilliant light, I have found faith in the beauty of images that speak the language of the spirit.

I find it very appropriate to ponder these “Touches of Faith: Beneath the Surface” during this crucial time in our search for meaning and fulfillment.

Exhibit Catalog

ExhibitCatalog_Toques de Fe 2011

 

Apertura de la Exposición Toques de Fe, presentación por Padre Jorge Santiago Cartagena SDB, Dept del Estado, San Juan 2011 ENGLISH TRANSLATION_P.Jorge Intro_Toques de Fe exhibit

 

A.Vonn Hartung—new art gallery

 

A.Vonn Hartung—new art gallery

A featured artist of the month in Geo Galleries

I am very excited and happy to announce my new online Art Gallery, GEO GALLERIES, where my paintings are for sale as top quality prints, printed on Archival Canvas or Archival Paper, with fade resistant archival pigmented inks. Such prints are recognized in the industry as “Giclee” Prints and are the preferred quality and process for art prints of leading artists.

GEO Galleries sells and fulfills all aspects of your purchases, with quick response and Turn-Around Time.

Mary at the manger before birth, with Joseph and God's creatures
             Before Birth, Mary at the Manger

This is one of the prints available in my Christian Sacred Art collection. Other collections in my gallery are Landscapes, Portraits, Flavors of Puerto Rico, Conversations with Creation, Climate Crisis, Stations of the Cross, Stations of the Resurrection, Genre paintings, and War.

I am an artist that has dedicated my life and art to a search for the spiritual dimensions of human nature as well as God’s beauty revealed in Creation. Through my paintings, wood carvings, prints, portraits, serigraphs, and murals, I seek to reveal the Light within that emanates and enriches our lives.

In my non-commissioned work, I am working on a series of paintings and carvings pertaining to God’s Creation and our response to the Climate Crisis, as called for in Pope Francis’ Encyclical— Laudato Si’. Many of these paintings are included in my “Climate Crisis” collection at GeoGalleries.

I invite you to visit my gallery

My collections include—

Christian Sacred Art

Stations of the Cross

Stations of the Resurrection

Flavors of Puerto Rico

Portraits

Landscapes

Conversations with Creation

Genre Paintings

Climate Crisis

War

 

It is the Lord!

It is the Lord!

It is the Lord!

An original acrylic painting

from the series of 14 Stations of the Resurrection (Via Lucis) 

 

As is often the case, the fishermen came up short, having spent a whole night without catching a fish for breakfast.

Christ appears as a beacon of Hope.

He tells them to cast their nets on “the right side of the boat.” The boat swings into action, the tilt of the mast and that of the crossbeam, the prow and the stern all point towards the fulfillment of the Lord’s commandment, “cast your net”. 

They follow His command, and their nets overflow with fish. He teaches us that blessings flow if we follow His way and have faith in Him, who is our Shepherd. In the bottom half of the circle, Calvary and the abyss that represents death, and the three-dimensional cross, the bridge from earthly to eternal reality.

When Jesus was resurrected, becoming for us The Christ, in that moment, the world was changed forever!

 

Buy a giclee print of this painting

 

¡Es el Señor!

Una pintura acrílica original

de la serie 14 Estaciones de la Resurrección (Via Lucis) 

 

Como suele ocurrir, los pescadores se quedaron cortos, pues pasaron una noche entera sin pescar nada para desayunar.

Cristo aparece como un faro de esperanza.

Él les dice que echen sus redes “a la derecha de la barca”. La barca entra en acción, la inclinación del mástil y de la viga transversal, la proa y la popa, todo apunta hacia el cumplimiento del mandamiento del Señor, “echad la red”.

Siguen su mandato, y sus redes rebosan de peces. Él nos enseña que las bendiciones fluyen si seguimos Su camino y tenemos fe en Él, quien es nuestro Pastor. En la mitad inferior del círculo, el Calvario y el abismo que representa la muerte, y la cruz tridimensional, puente de la realidad terrena a la eterna.

Cuando Jesús resucitó, convirtiéndose para nosotros en El Cristo, en ese momento, ¡el mundo cambió para siempre!

Contemplative Images for Holy Week

View a video of these Stations of the Cross, accompanied by sacred music

View video The Passion of our Lord

Ver video La Pasión de nuestro Señor

 

Read in Spanish

 The reason for the use of Sacred Art in the Church is to make visible what is invisible, to bring us to a more heightened state of awareness and connection with God and His Saints that we might share more fully in His Glory and Love for us, that we might go forth and DO HIS WILL.

Sacred Places of Jesus’ Life, Death and Resurrection have always been venerated – early pilgrims retraced the Way of the Cross. So it was that the pilgrims brought back from The Holy Land the idea of recreating those sacred places and events to share with the faithful of their home churches.

It is said that Saint Francis of Assisi began the practice of the Stations of the Cross. It then spread throughout Italy and Europe. It was his practice to reproduce in a realistic way the events of our Lord’s life and deeds (an example, is his reported installation of the stable and manger with live animals and people in commemoration of the birth of Jesus).

In a similar way I conceived these Stations of the Cross to bring immediacy to the Passion of our Lord.

Each one measures 4-ft x 8-ft. This is because of the cavernous size and interior simplicity of the nave of the church, Santa Rosa de Lima, in the town of Guaynabo, Puerto Rico.  Intimacy was achieved by the use of local people as models and customs, so that the faithful might better identify with the trials that Our Lord and Savior suffered and died for because of His Love for us.

Buy giclee prints of these Stations

 

Jesus is condemned to death. ViaCrucis Station 1 painting by AVonnHartung

Here we see Jesus, centered, surrounded by many but COMPLETELY alone, only those admitted from the status quo on both sides (although we see Flavia, wife of Pilate and perhaps Nicodemus who represent a small group of inside sympathizers).

In the midst of a crowded room He is a lonely figure. All signs point to Him, the columns, the center aisle and all who gesture, single Him out in accusation. He is The One! The cause of all their troubles, indignation and hatred! He must DIE!

 

Continue reading

“The Life and Prophecy of St. John the Baptist”

“There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe. He was not that Light, but was sent to bear witness of that Light…. He said, I am the voice of one crying in the wilderness, Make straight the way of the Lord, as said the prophet Isaiah.” (John 1:6-8, 23)

En Español más abajo

Today as the Catholic Church commemorates the Feast Day of the Martyrdom of St. John the Baptist, I present this mosaic mural which depicts his life and prophecy in the sanctuary of Parroquia San Juan Bautista in the central mountain town of Orocovis, Puerto Rico.

"The Life and Prophecy of St. John the Baptist" mosic mural by AVonnHartung in Orocovis, Puerto Rico
“The Life and Prophecy of St. John the Baptist” mosaic mural byAVonnHartung in Orocovis, Puerto Rico

Conceived in three arches which represent the Holy Trinity, the story of St. John the Baptist is expressed across time in the sanctuary of Christ’s church and includes the priest and congregation today in the fulfillment of sacred liturgy. When viewed from the rear of the Church during Mass, the servers and congregation are seen as completing the work of art.

 

Continue reading

El Buen Pastor / The Good Shepherd

On Sunday we celebrated “The Good Shepherd”

 “My sheep hear my voice, and I know them. They follow me and I give them eternal life… (Jn 10:27)

 

El Buen Pastor/Good Shepherd painting by A.VonnHartung
El Buen Pastor / Good Shepherd painting by A.VonnHartung

When Padre Jaime Vázquez commissioned this painting, “El Buen Pastor / The Good Shepherd”, as part of my research I visited Ochoa Agrícola (agricultural store) in Caguas, Puerto Rico. They have scores of sheep, mostly lambs and yearlings.

I worked among them getting close-up sketches and the feel of them.

It is such an important part of bringing what we paint to life, to know as much as possible the essence of what it is we are making visible, which in reality is merely a thin film of paint on a two-dimensional canvas.

Closeup detail of painting “El Buen Pastor” (4 x 8-feet) by AVonnHartung, commissioned by Padre Jaime Vázquez Rojas in 2003 for “Parroquia El Buen Pastor” in Guaynabo (Apolo), Puerto Rico

Buy a giclee print of this painting

 

AVonnHartung with his painting ElBuenPastor

 

VIEW THE VIDEO—“My sheep hear my voice, and I know them. They follow me and I give them eternal life… (Jn 10:27) In this video A.Vonn Hartung speaks to a group of parishioners about his painting “El Buen Pastor”— In 2015 the parishioners of his church, San Ignacio de Loyola in Puerto Rico, under the leadership of Dra Señora Laura Gorbea organized a CARAVAN OF CARS to begin to make the rounds to see the Churches with Sacred Art that he had completed. We started with three churches in the metropolitan area. The painting in this video was commissioned by Padre Jaime Vázquez Rojas (may he rest in peace) of the Church of El Buen Pastor on Ave. Apolo in the town of Guaynabo.

NOTE: Due to the low resolution of this video, optimal viewing would be on a smartphone rather than a desktop computer.