carved saints

Works by A.Vonn Hartung in Catholic Churches

Works by A.Vonn Hartung

 in Catholic Churches

 

The following are works of art by A.Vonn Hartung in Catholic Churches, in Puerto Rico, Connecticut, Florida, and the Vatican (Pontifical North American College, Hall of Saints).

Paintings, portraits, wood sculpture (high relief and full statues), murals, mosaics, “stained glass” windows

 

Casa de Niños Manuel Fernández Juncos (capilla), Miramar, San Juan, Puerto Rico

La Madre Dolorosa, High Relief Wood Sculpture, 33 x 27 inches, Pau Lope wood, commissioned by Padre Julio Victor Garcia, 1991

—Sagrario “He is Risen” 20 x 14 x 12-inches, high relief wood sculpture on the door of Sagrario, commissioned by Padre Jorge Castillejo, 1992

—Altar and Ambo, high relief wood sculpture, Pau Lope wood, commissioned by Padre Jorge Castillejo, 1992

"La Madre Dolorosa" (Sorrowful Mother) wood sculpture (high relief) by AVonnHartung for Casa de Niños Manuel Fernandez Juncos (Miramar SJ, Puerto Rico
La Madre Dolorosa

 

Parroquia San Francisco Javier, Urb Fairview, Trujillo Alto, Puerto Rico

San Francisco Javier Baptizing, painting on wood panel, 7 x 11 feet, altarpiece (retablo), commissioned by Padre Julio Victor Garcia, 2002

Vivimos para esa Noche (Beato Carlos Manuel Rodriguez Santiago), oil portrait on canvas, commissioned by Padre Julio Victor Garcia, 2000

"En el Nombre del Padre..." San Francisco Javier Baptizing, retablo painting by AVonnHartung, in Parroquia San Francisco Javier (Trujillo Alto, Puerto Rico)
San Francisco Javier

 

Hermanas Misioneras del Buen Pastor, Caguas, Puerto Rico

—El Buen Pastor / The Lost Sheep, painted mural on canvas (after Alfred Soord, The Lost Sheep), 9 x 12 feet, Sanctuary of Capilla, commissioned by las Hermanas Misioneras del Buen Pastor, circa 1986

—Las Huellas del Buen Pastor, oil painting (small mural), 40 x 60 inches, commissioned by las Hermanas Misioneras del Buen Pastor, 1995

The Lost Sheep— one of the works by A.Vonn Hartung in Catholic Churches
El Buen Pastor / The Lost Sheep

 

Parroquia El Buen Pastor, Guaynabo (Apolo), Puerto Rico

El Buen Pastor, a painting on wood panel, 4 x 8 feet, commissioned by Padre Jaime Vazquez Rojas, 2003

El Buen Pastor— one of the works by A.Vonn Hartung in Catholic Churches
El Buen Pastor

 

Parroquia Santa Rosa de Lima, Guaynabo (Barrio Amelia), Puerto Rico

—A Mural of Faith: Art in the Light of Christ, a painted mural in the Sanctuary, 29 x 65 feet, commissioned by Padre Julio Victor Garcia, 1997.

Stations of the Cross, 14 painted panels, each 4 x 8 feet (gilded with gold and copper leaf) in the nave, commissioned by Mons. Antonio “Tito” José Vázquez, 2001

—Cordero 2, wood carving (for Sagrario), commissioned by Padre José Gregorio Guaipo

Fourteen Stations of the Resurrection, giclee prints on wood panels, Padre José Gregorio Guaipo

Beato Carlos Manuel Rodríguez Santiago, large giclee print on canvas, Padre José Gregorio Guaipo

Jesus takes up his cross, ViaCrucis station 2 painting by A.Vonn Hartung—one of the works by A.Vonn Hartung in Catholic Churches
Jesus takes up his cross

 

 Parroquia Maria Auxiliadora, La Cantera, Hato Rey, Puerto Rico

—La Misericordia de San Juan Bosco, painting on wood panel, 3 ½ x 8 feet, commissioned by Padre Nicolás “Colacho” Navarro SDB, 2011

San Juan Bosco blesses his successor, Blessed Michael Rua, painting on a wood panel, 3 ½ x 8 feet, commissioned by Padre Nicolás “Colacho” Navarro SDB, 2011

Santo Domingo Savio (4 paintings on wood panels), in the side altars of the Sanctuary, commissioned by Padre Nicolás “Colacho” Navarro SDB, 2014

 —Forever Young, a 27 square foot painting for the students of Colegio San Juan Bosco at Parroquia Maria Auxiliadora, commissioned by Padre Jorge Santiago Cartagena SDB, 2017

Fourteen Stations of the Resurrection, large giclee prints on wood panels, commissioned by Padre Nicolás “Colacho” Navarro SDB, 2018

Siempre Jóven / Forever Young

 

Colegio Maria Auxiliadora (in capilla), Santurce, Puerto Rico

—Mi Vida es para los Jovenes, vitral (oil paint on Lexan), commissioned by Sor Estela Baez y las Hermanas Salesianas, circa 2003.

Santa Maria Mazzarello, vitral (oil paint on Lexan), commissioned by Sor Estela Baez y las Hermanas Salesianas, circa 2003.

Mi vida es para los Jovenes, "Stained glass" window (oil paint on Lexan) by A.Vonn Hartung—one of the works by A.Vonn Hartung in Catholic Churches
Mi Vida es para los Jóvenes

 

Parroquia San Juan Bosco, Villa Palmeras (Calle Lutz), San Juan, Puerto Rico

—Ten Stations of the Resurrection, vitrales (oil paint on Lexan), commissioned by Padre Luis Gomez SDB, circa 2005.

He saw and believed

 

 Parroquia San Juan Bautista, Orocovis (pueblo), Puerto Rico

La Vida y Profecia de San Juan Bautista (The Life and Prophecy of St. John the Baptist), mosaic mural, 500 square feet in three arches, Sanctuary, commissioned by Padre Jorge Santiago Cartagena SDB

Last Supper (oil paint on Lexan), in Santisima Chapel, commissioned by Padre Jorge Santiago Cartagena SDB

El Pan y el Vino (two “stained glass” windows, oil paint on Lexan) in Santisima Chapel, commissioned by Padre Jorge Santiago Cartagena SDB

Resurrección (stained glass window) in Santisima Chapel, commissioned by Padre Jorge Santiago Cartagena SDB

El Nacimiento de San Juan Bautista (three “stained glass” windows, oil paint on Lexan) in Sacristy, commissioned by Padre Jorge Santiago Cartagena SDB

"The Life and Prophecy of St. John the Baptist" mosic mural by AVonnHartung in Orocovis, Puerto Rico—one of the works by A.Vonn Hartung in Catholic Churches
La Vida y Profecía de San Juan Bautista

 

Capilla San Juan Bosco, Orocovis (Barrio Gato), Puerto Rico

El Sueño de las Dos Columnas (Dream of the Two Columns), a painted mural in the Sanctuary of Capilla, 18 x 50 feet, commissioned by Padre Jorge Santiago Cartagena SDB

Fourteen Stations of the Resurrection, “stained glass” windows—oil paint on Lexan, commissioned by Padre Jorge Santiago Cartagena SDB

—Two large “vitrales” (theme of the mural “Dream of the Two Columns”), oil paint on Lexan, commissioned by Padre Jorge Santiago Cartagena SDB

"El Sueño de las Dos Columnas" San Juan Bosco/ "The Dream of the Two Columns" mural by AVonnHartung, in Capilla San Juan Bosco (Orocovis, Puerto Rico)
El Sueño de las Dos Columnas

 

Capilla Divino Niño Jesús, Orocovis (Botijas), Puerto Rico

—San José con el Niño Jesús, acrylic painting on wood panel, in the Sanctuary, commissioned by Padre Demetrio Coello SDB and the Salesian community.

—Jesús Resucitado, acrylic painting on wood panel, in the Sanctuary, commissioned by Padre Demetrio Coello SDB and the Salesian community.

 —Maria Auxiliadora, acrylic painting on wood panel, in the Sanctuary, commissioned by Padre Demetrio Coello SDB and the Salesian community.

San Jose with Niño Jesus —one of the works by A.Vonn Hartung in Catholic Churches
San José con Niño Jesús

 

Catedral San Juan Bautista, Viejo San Juan, Puerto Rico

—Stations of the Resurrection, 14 paintings on wood panels, 24 x 24 inches, 2015, on loan from the artist, A.Vonn Hartung, to Mons Roberto Gonzalez Nieves, 2018 (NOTE: Giclee prints of these paintings are on display in several churches in Puerto Rico.)

—Carved Andas, (for processions) commissioned by Mons Roberto Gonzalez Nieves with liturgical consultant Hector Balvanera, 2015

Misericordia, a painting on wood panel, 2015, commissioned by the Archbishop of San Juan, S.E.R. Monseñor Roberto González Nieves, for the arch above the main doors of Catedral San Juan Bautista in San Juan, Puerto Rico, to commemorate Pope Francis’ declared Extraordinary Jubilee Year of Mercy 2015-2016. Liturgical consultant Hector Balvanera.

Misericordia

 

Capilla María Auxiliadora, Carolina (rural), Puerto Rico

Saint Joseph, Protector, carved statue, approximately 3 feet high, in Capilla, commissioned by Padre Rafael de Jesús Gonzalez Ayala CRL, 2017

Beato Carlos Manuel Rodríguez Santiago, giclee print on canvas, Padre Rafael de Jesús Gonzalez Ayala CRL, 2017

St. Joseph, Protector, carved statue by A.Vonn Hartung—one of the works by A.Vonn Hartung in Catholic Churches
St. Joseph, Protector

 

Catedral Dulce Nombre de Jesús, Caguas, Puerto Rico

—Cordero, wood carving for Beato Carlos Manuel Rodriguez’s tomb, commissioned by Mons. Ruben Antonio Gonzalez Medina CMF, 2001

Cordero de Dios

 

Parroquia Maria Madre de mi Señor, Guaynabo, Puerto Rico

—Before Birth: Mary at the Manger, acrylic painting on canvas, 24 x 36 inches, commissioned by Padre Jairo Granados, 2021

Before birth, Mary at the manger, painting by A.Vonn Hartung—one of the works by A.Vonn Hartung in Catholic Churches
Before Birth, Mary at the Manger

 

Parroquia Corazón de Jesús, Guaynabo, Puerto Rico

Fourteen Stations of the Cross, Giclee prints mounted on wood panel, commissioned by Padre Phillip (Felipe) Nuñez, 2020

Fourteen Stations of the Resurrection, Giclee prints mounted on wood panel, commissioned by Padre Phillip (Felipe) Nuñez, 2020

Via Crucis / Via Lucis

 

Parroquia San Ignacio de Loyola, San Juan, Puerto Rico

—Replica of high relief ceramic sculpture St Benedict of Nursia, 32 x 11 x 3 inches, Forton Hydrocal (architectural stone), Rev. Ron Gonzales, SJ

—Replica of high relief ceramic sculpture, St Francis of Assisi, 32 x 11 x 3 inches, Forton Hydrocal (architectural stone), Rev. Ron Gonzales, SJ

—Replica of high relief ceramic sculpture, St Ignatius of Loyola, 32 x 11 x 3 inches, Forton Hydrocal (architectural stone), Rev. Ron Gonzales, SJ

Our Lady of Guadalupe with San Juan Diego, oil painting on canvas, commissioned by Parroquia San Ignacio (9:30 Community) in San Juan, Puerto Rico, 2003

Fourteen Stations of the Resurrection, giclee prints mounted on wood, Father Lawrence Searles SJ, 2018

"Apparition of Our Lady of Guadalupe with St. Juan Diego" painting by AVonnHartung
Our Lady of Guadalupe with San Juan Diego

 

Salesianos Aibonito (capilla), Puerto Rico

Ten Stations of the Resurrection, giclee prints on wood, commissioned by Padre Demetrio Coello SDB and the Salesian community.

Bread and wine, wood carving for altar, commissioned by Padre Demetrio Coello SDB and the Salesian community.

It is the Lord!

 

Parroquia Santa Luisa de Marillac, Rio Piedras, Puerto Rico

Fourteen Stations of the Resurrection, giclee prints on wood, Padre Tomás G. Gonzalez, 2020

He is Risen!

 

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St. Joseph Church, New London, Connecticut

Saint Dymphna, Life-size statue, Cedro odorata, Commissioned by Father Mark O’Donnell, 2021

St. Dymphna, carved life-size statue by A.Vonn Hartung—one of the works by A.Vonn Hartung in Catholic Churches
Saint Dymphna

 

Our Lady of Lourdes Church, Gales Ferry, Connecticut

Baptism, Life-size high relief wood sculpture, Linden wood, commissioned by Our Lady of Lourdes Church, circa 1983

—Last Supper, Life-size high relief wood sculpture, Linden wood, commissioned by Our Lady of Lourdes Church, circa 1983

Carved Hymn board, 4 x 6 feet (opened), Honduran Mahogany, commissioned by Our Lady of Lourdes Church, circa 1983

Last Supper high relief wood sculpture by AVonnHartung (at Our Lady of Lourdes Catholic Church, Gales Ferry, Connecticut)—one of the works by A.Vonn Hartung in Catholic Churches
The Last Supper

 

St. John Church, Montville, Connecticut

Crucified Christ, Life-size on a 10-foot cross, Linden Wood and Mahogany, commissioned by Monsignor Bronislaw Gadarowski, 1981

Agony of Crucifixion wood sculpture by A.Vonn Hartung for St. John's Catholic Church (Montville, Connecticut)—one of the works by A.Vonn Hartung in Catholic Churches
The Agony of Crucifixion

 

St. Paul Church, Pensacola, Florida

Six Carved Saints (Paul, Peter, Matthew, Mark, Luke, and John), high relief wood sculptures, tropical cedar (12-inches x 33-inches x 3-inches) for the ambo, commissioned by Pastor Doug Halsema with liturgical consultant Steven Schloeder, 2008

St. John Evangelist high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)—one of the works by A.Vonn Hartung in Catholic Churches
St. John Evangelist

 

The Holy Family, high relief wood sculpture, tropical cedar, 42 x 44 inches, commissioned by the Unanue Freeborg family, Miami, Florida, 2012

"Holy Family" is a high relief wood sculpture by AVonnHartung
The Holy Family

 

Pontifical North American College, Vatican

Beato Carlos Manuel Rodriguez Santiago, painting on canvas, 34 x 26 inches, in the Hall of Saints, commissioned by Mons Roberto Gonzalez Nieves, Archbishop of San Juan, 2001

Blessed Carlos Manuel Rodríguez Santiago portrait by AVonnHartung_at Pontifical North American College Vatican
Beato Carlos Manuel Rodriguez Rodríguez Santiago

 

Church murals, paintings, and sculpture

 

Stations of the Cross

 

Stations of the Resurrection          

 

AVonnHartung_interview-by-El-Visitante-Catholic-Newspaper-Puerto-Rico

 

Symbolist of the Sacred_NL Day article 1997

 

LosSurcoVitalesDeVonnHartung_el nuevo dia 1996

 

TheVitalFurrows ofVonnHartung_el nuevo dia 1996

 

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NL Day article_Beato

 

Mural de la Fe

 

StaRosaMural_El nuevo dia 1997

Some major works by Catholic artist A.Vonn Hartung

Some major works by Catholic artist A.Vonn Hartung

 

Acrylic painting on canvas, Let it be Done, portrays the Annunciation event.
Let it be Done

  Painting (acrylic) on canvas, 60 x 36-inches. The Angel Gabriel descends in divine glory and declares the message from God the Father. After pondering deep in her heart, the words and their meaning, Mary gives her consent. At that very moment she is filled with the luminous light of grace as she vows to fulfill the will of the Father and to deliver His only Son incarnate as Jesus Christ into the world according to His divine plan for our salvation. The painting is an interpretation of the visions received by Blessed Anne Catherine Emmerich (Augustinian Nun) in 1821, with some added symbolism by the Artist to enhance and clarify the spiritual and prophetic consequences of the Annunciation Event. READ MORE.

 

Second Station of the Cross painting by A.Vonn Hartung—Jesus takes up his cross
Jesus takes up his cross

Painting (acrylic) on wood panel, 48 x 96-inches. THESE STATIONS OF THE CROSS paintings show the process of conversion as Jesus was put to the test and tormented. They express a perspective that emphasizes the effect Jesus had on those present during his ordeal of carrying his own cross to his crucifixion on Calvary. As the bystanders are pulled into his suffering, we follow by observing closely, the actual Revelatory conversion of the principal Roman soldier; we see how the outpouring of grief and compassion of others around him begin to melt away his own cruelty and indifference. READ MORE.

 

Agony of Crucifixion wood sculpture by A.Vonn Hartung for St. John's Catholic Church (Montville, Connecticut)
The Agony of Crucifixion

                                                                                                                                     

Wood Sculpture, life-size (120 x 50-inches), Linden Wood with Mahogany cross.

From noon until three in the afternoon darkness came over all the land.

About three in the afternoon Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?”

(“My God, my God, why have you forsaken me?”) Mt 27. 

I carved this crucified Christ after an in-depth study of the book,  A Doctor at Calvary by Pierre Barbet M.D.,

a forensic pathologist’s analysis of the Holy Shroud of Turin.

It reveals a graphic account of Jesus’s suffering at the hands of the Romans. READ MORE.

 

"Forgive them Father" closeup detail of high relief wood sculpture by AVonnHartung
Forgive them Father, Wood Sculpture, 70 x 48-inches, Linden Wood (detail of full size sculpture)

                                                                                                                          

 

                               La Madre Dolorosa

High Relief Wood Sculpture, 33 x 27-inches, Pau Lope wood

Expresses the agony of Jesus through His mother Mary; the betrayal by Judas, the arrest, torturous scourging, trial, carrying of the cross, and finally the agonizing crucifixion and death at Golgotha.

The Sorrowful Mother contemplates the seven sorrows of her life, represented by the seven swords piercing her heart. READ MORE.

 

St. Luke high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)
St. Luke the Evangelist

High relief wood sculpture (33 x 12 x 3-inches), one of the six saints carved by A.Vonn Hartung for the Ambo of St. Paul’s Church in Pensacola, Florida. Artistically I have placed St. Luke the Evangelist in the center of his mission; I have conveyed, a feeling of the harmony brought to him through the gift of the Holy Spirit.  READ MORE

 

St.Benedict of Nursia ceramic sculpture High relief by AVonnHartung for private collection (Puerto Rico)
               St. Benedict of Nursia

High Relief Ceramic Sculpture (32 x 11 x 3-inches)

Ora et labora (Pray and work)—refers to the Catholic monastic practice of working and praying. St. Benedict viewed prayer and work as partners and believed in combining contemplation with action. St. Benedict is shown here writing; this is significant for two major reasons. READ MORE

 

St. Francis of Assisi

High Relief Ceramic Sculpture (32 x 11 x 3-inches)

St. Francis lived in the Holy Spirit.

He was in love with life and all of God’s Creation.
 He brought the Light of Christ to a darkened world! READ MORE

 

                   El Beato
          

Oil portrait on canvas (34 x 26-inches). Blessed Carlos Manuel Rodríguez was beatified on April 29, 2001, by His Holiness (now Saint) John Paul II. He was the first Puerto Rican, the first Caribbean-born layperson and the first layperson in the history of the United States to be beatified. At the core of Blessed Carlos Manuel Rodriguez’ spirituality (Pope John Paul II said) was his faith in the Resurrection. He promoted the Easter Vigil as the defining moment of Christian spiritual life, repeating often, “We live for that night.” (Vivimos para esa Noche). This portrait hangs in the Hall of Saints at the Pontifical North American College, Vatican, commissioned by Monseñor Roberto González Nieves, Archbishop of Puerto Rico. READ MORE.

 

St. Dymphna, Wood Sculpture, life-size statue, Spanish Cedar

 Saint Dymphna, patron saint of mental illness, was martyred in the 7th century for her faith. At 14 years old she was beheaded by her father, a minor king, for her refusal to marry him and become his queen. She presents the Gospel of the Lord, her declaration of faith, and her shield. READ MORE.

San Francisco vivió en el Espíritu Santo

San Francisco vivió en el Espiritu Santo

San Francisco vivió en el Espíritu Santo.

Estaba enamorado de la vida y toda la Creación de Dios.

Fue portador de la Luz de Cristo en un mundo en tinieblas!

READ THIS IN ENGLISH

 

San Francisco vivió en el Espíritu Santo
               Escultura en cerámica

 

San Francisco vivió en el Espíritu Santo. En un arco gótico, un signo de los tiempos en que vivió, San Francisco se encuentra entre los maderos caídos y rotos de la abandonada Iglesia de San Damiano. Hay dispersos bloques de construcción a sus pies y la Cruz de Damiano arriba. Está rodeado de sus queridos pájaros y animales: las palomas, los pájaros cantores, el cordero y el lobo que simbolizan la paz y la armonía. El lobo domesticado canta armonía a la melodía de Francisco, tocada en su laúd y cantada como oración.

Vestido con su ropa hecha jirones, los hombros y las rodillas desgastados por la Cruz que llevaba y las oraciones que rezaba. La oreja de tamaño exagerado se convierte en un símbolo de su elevado poder espiritual de observación y la sensibilidad a la belleza y necesidades de los demás que componen el conjunto de nuestra comunidad sagrada.

La colmena, un símbolo de la dulzura y la unidad de las comunidades que provocó dondequiera que difundió la palabra y la obra de nuestro Señor y Salvador Jesucristo.

San Francisco vivió en el Espíritu Santo

Estaba enamorado de la vida y de toda la creación de Dios. Como Jesús, sanó a los enfermos, limpió a los sucios y sirvió a los pobres como lo simboliza el lavabo y la jarra.

Fue con este amor en el Espíritu Santo que respondió al llamado que escuchó para reconstruir la iglesia de Cristo, no solo física sino espiritualmente. Lo hizo a través del sacrificio y el amor en forma de compasión, creatividad y trabajo extremadamente duro pero alegre, así como un asombro. auto-negación inspiradora por un ex joven que fue mimado y autocomplaciente; un cambio tan profundo que provocó un milagro asombroso de renovación al cristianismo a través de la intervención divina como se ve por los estigmas en sus manos y pies.

¡San Francisco de Asís fue portador de la Luz de Cristo en un mundo en tinieblas!

 

Señor, hazme un instrumento de tu paz, 

donde haya odio, ponga amor, donde hay ofensa, perdón;

Donde hay duda, fe,

donde hay desesperanza, esperanza;
Donde hay tinieblas, luz,

 donde hay tristeza, alegría.

Oh Divino Maestro,
Que no busque yo tanto, ser consolado como consolar,

 ser comprendido como comprender.
Ser amado como amar.
Porque dando se recibe.
Perdonando se es perdonado.
Y muriendo a si mismo
Se nace a la vida eterna.

Compre una impresión giclée de esta escultura

 

St. John Apostle and Evangelist

(Scroll down for Spanish text)

In celebration of St. John Apostle and Evangelist

St. John Evangelist high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)
St. John Evangelist” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)

Today is the Feast Day of St. John the Apostle and Evangelist.

He is shown here with St. Mary, whom he cared for after our Lord’s crucifixion (Jn 19:26, 27), at Ephesus in Turkey, the Isle of Patmos on the horizon, imprisoned and wrote Revelation.
He embraces his gospel to his heart, bringing to mind the Cross and Passion of our Lord. Significantly, his crossed arms define the shape of a chalice (the sacred blood) and an hourglass. Indeed, it reminds us that Christ is the Alpha and the Omega.

Above the saint flies the eagle, John’s symbol of vision and highest inspiration. Specifically, it carries away a serpent because, according to legend, Emperor Domitian once spiked the saint’s wine with poison. Subsequently and miraculously, it turned into a snake and slithered out of the cup.

High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul's Catholic Church, Pensacola, Florida (photo by Steven Schloeder/Liturgical Environs PC)
High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul’s Catholic Church, Pensacola, Florida
(photo by Steven Schloeder/Liturgical Environs PC)

 

This high relief wood sculpture, St. John Apostle and Evangelist is12-inches x 33-inches x 3-inches. It is one of six saints carved by A.Vonn Hartung. Pastor Doug Halsema commissioned them for the Ambo of St. Paul’s Catholic Church in Pensacola, Florida. Dr. Steven Schloeder of Liturgical Environs PC was the liturgical consultant.

The saints are all directed towards the center of the Ambo, as though they are again listening to and reliving the truth and reality of Christ Jesus, that because of them and through them, the gift of the Holy Spirit continues to live in us in the Liturgy of the Word.

A.Vonn-Hartung_six-saints-wood-carvings(1)

 

Working with Vonn on the iconography and formal expression of the new ambo at St. Paul’s in Pensacola, Florida, was an enriching experience. Vonn brought forth a powerful new interpretation of a classical iconographic theme. The four Evangelists surrounding the figures of Saints Peter and Paul create a “sacra conversazione” of dialogue among themselves, with the Lord, who proclaims the Gospel, and with the congregation listening to the Lord proclaimed in the Gospel. The power of his figures that capture the spirit of the Evangelists and the Apostles of Rome can only come from deep contemplation and resonance with the subjects, and a profound mastery of his art.” —

Dr. Steven J. Schloeder, architect, author of Architecture in Communion (Ignatius Press)

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St. John Evangelist high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)
 “San Juan Evangelista“, Escultura en madera en alto relieve, obra de AVonn Hartung, para la Iglesia Católica, San Pablo (Pensacola, Florida).

Hoy es el Día de Fiesta de San Juan Apóstol y Evangelista

Aquí se muestra con Santa María a quien le cuidaba después de la crucifixión de nuestro Señor (Jn 19:26, 27) en Éfeso, Turquía. La isla de Patmos está en el horizonte, donde fue encarcelado y escribió el Apocalipsis. Él abraza a su Evangelio a su corazón que nos recuerda la Cruz y de la Pasión de Nuestro Señor. Ademá, sus brazos cruzados definen la forma de un cáliz (la sagrada sangre) y un reloj de arena. Eso nos recuerda que Cristo es el Alfa y la Omega.

Por encima del santo vuela el águila, símbolo la visión y la más alta inspiración de San Juan. Se lleva una serpiente. Cuenta la leyenda que el emperador Domiciano envenenó el vino del santo. Entonces  milagrosamente se convirtió en una serpiente y se deslizó de la copa.

Esta escultura en madera de alto relieve (12 pulgadas x 33 pulgadas x 3 pulgadas) es uno de los seis santos tallados por A.Vonn Hartung para el ambón de la iglesia Católica de St. Paul en Pensacola, Florida, encargado por el Pastor Doug Halsema mediante Consultor Litúrgico Dr. Steven Schloeder de Liturgical Environs PC

High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul's Catholic Church, Pensacola, Florida (photo by Steven Schloeder/Liturgical Environs PC)
High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul’s Catholic Church, Pensacola, Florida
(photo by Steven Schloeder/Liturgical Environs PC)

Los santos están dirigidos hacia el centro del Ambón, como si estuvieran escuchando de nuevo y volviendo a vivir la verdad y la realidad de Cristo Jesús, que gracias a ellos a través de ellos el don del Espíritu Santo continúa viviendo en nosotros en la Liturgia de la Palabra.

“Trabajar con Vonn en la iconografía y la expresión formal del nuevo ambón de la iglesia de San Pablo en Pensacola, Florida, fue una experiencia enriquecedora. Vonn proyectó una nueva y poderosa interpretación de un tema iconográfico clásico. Los cuatro evangelistas que rodean las figuras de los santos Pedro y Pablo crean una “sacra conversazione” de diálogo entre ellos, con el Señor, que proclama el Evangelio, y con la congregación que escucha al Señor proclamado en el Evangelio. La fuerza de sus figuras, que capturan el espíritu de los evangelistas y los apóstoles de Roma, solo puede provenir de una profunda contemplación y conexión con los temas, y de un profundo dominio de su arte”. — Dr. Steven J. Schloeder, arquitecto, autor de Architecture in Communion (Ignatius Press)

St. Luke the Evangelist

(Scroll down for Spanish text)

Today, October 18th, is the Feast Day of St. Luke the Evangelist, patron saint of physicians and artists.

On this occasion, I pay special homage to him with this wood sculpture.

St. Luke high relief wood sculpture by AVonnHartung for St. Paul's Catholic Church (Pensacola, Florida)
St. Luke, high relief wood sculpture by AVonnHartung for St. Paul Catholic Church (Pensacola, Florida)

Artistically, I have placed St. Luke the Evangelist in the center of his mission.  In addition, I have conveyed the sense of harmony that the gift of the Holy Spirit has brought him.

Luke was St. Paul‘s companion and biographer. Additionally, he authored Acts of the Apostles, a continuation of his gospel. By the style of his hair and garments, I indicate his Syrian gentile origin of Greek lineage. I have juxtaposed Luke to the winged ox, symbol of sacrifice, patient servitude, and strength.  Additionally, I have portrayed the Parable of the Sower from his gospel (Lk 8:4-9).

The tempestuous backdrop witnesses to his shipwreck with Paul (Acts 27:13-42) and the many trials and tribulations he experienced struggling to keep pace with him on his missionary journeys. Luke holds his written witness in a book (gospel) that resembles a paperback, reflecting the dynamics of his perilous travels with Paul.

Luke studied the life and words of Jesus with utmost care, knew and relied upon witnesses to the actual events–including Mary and St. John–and devoted some time to speaking with the women who had traveled with Jesus. The Gospel [of Luke] is thus especially notable for the respect and attention it pays to women in the Church, in contrast to the role of women both in Jewish and pagan society…Luke stresses the mercy of God, documenting the merciful acts of Christ…Luke also devoted much attention–more than his fellow evangelists–to the interior life of prayer…” (OSV’s Encyclopedia of Catholic History, by Matthew Bunson, D.Min.)

 

High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul's Catholic Church, Pensacola, Florida (photo by Steven Schloeder/Liturgical Environs PC)
High relief wood carvings of 6 saints by Vonn Hartung, in ambo at St. Paul’s Catholic Church, Pensacola, Florida
(photo by Steven Schloeder/Liturgical Environs PC)

This high relief wood sculpture (12-inches x 33-inches x 3-inches) is one of the six saints carved by A.Vonn Hartung for the Ambo of St. Paul’s Church in Pensacola, Florida, commissioned by Pastor Doug Halsema through  Liturgical Consultant Dr. Steven Schloeder of Liturgical Environs.

The saints are all directed towards the center of the Ambo, as though they are again listening to and reliving the truth and reality of Christ Jesus, that because of them and through them, the gift of the Holy Spirit continues to live in us in the Liturgy of the Word.

 

Here are large photos, including a bilingual description (Eng/Span) of the Ambo and all six saints 

A.Vonn-Hartung_six-saints-wood-carvings(1)

 

Six Carved Saints is a video of the artist explaining the symbolism of the carvings.

 

Working with Vonn on the iconography and formal expression of the new ambo at St. Paul’s in Pensacola, Florida, was an enriching experience. Vonn brought forth a powerful new interpretation of a classical iconographic theme. The four Evangelists surrounding the figures of Saints Peter and Paul create a “sacra conversazione” of dialogue among themselves, with the Lord, who proclaims the Gospel, and with the congregation listening to the Lord proclaimed in the Gospel. The power of his figures that capture the spirit of the Evangelists and the Apostles of Rome can only come from deep contemplation and resonance with the subjects, and a profound mastery of his art.”

Dr. Steven J. Schloeder, architect, author of Architecture in Communion (Ignatius Press)

 

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Español
 

Hoy, 18 de octubre, se celebra la festividad de San Lucas Evangelista, patrono de los médicos y artistas.

En esta ocasión le rindo un homenaje especial con esta escultura de madera.

San Lucas, escultura en madera de altorrelieve, de AVonn Hartung, para la Iglesia Católica, St Paul (Pensacola, Florida).

Artísticamente, he situado a San Lucas Evangelista en el centro de su misión. Además, he transmitido la sensación de armonía que le ha brindado el don del Espíritu Santo.

Lucas fue el compañero y biógrafo de San Pablo. Además, fue autor de los Hechos de los Apóstoles, una continuación de su evangelio. Por el estilo de su cabello y sus vestimentas, indico su origen gentil sirio de linaje griego. He yuxtapuesto a Lucas con el buey alado, símbolo de sacrificio, servidumbre paciente y fuerza. Además, he retratado la parábola del sembrador de su evangelio (Lc 8,4-9).

El tempestuoso telón de fondo da testimonio de su naufragio con Pablo (Hechos 27:13-42) y de las muchas pruebas y tribulaciones que experimentó mientras luchaba por seguir su ritmo en sus viajes misioneros. Lucas presenta su testimonio escrito en un libro (evangelio) que parece un libro de bolsillo, reflejando la dinámica de sus peligrosos viajes con Pablo.

“Lucas estudió la vida y las palabras de Jesús con sumo cuidado, conoció y se basó en testigos de los hechos —incluyendo a María y San Juan— y dedicó tiempo a hablar con las mujeres que habían viajado con Jesús. El Evangelio de Lucas es, por lo tanto, especialmente notable por el respeto y la atención que presta a las mujeres en la Iglesia, en contraste con el papel de la mujer tanto en la sociedad judía como en la pagana… Lucas enfatiza la misericordia de Dios, documentando los actos misericordiosos de Cristo… Lucas también dedicó mucha atención —más que sus compañeros evangelistas— a la vida interior de oración.”.. (Enciclopedia de Historia Católica de la OSV, por Matthew Bunson, D.Min.)

Esta escultura de madera en alto relieve (12 pulgadas x 33 pulgadas x 3 pulgadas) es uno de los seis santos tallados por A. Vonn Hartung para el ambón de la iglesia de San Pablo en Pensacola, Florida, encargado por el pastor Doug Halsema a través del consultor litúrgico Dr. Steven Schloeder de Liturgical Environs.

Tallas de madera en alto relieve de Seis Santos, obra de Vonn Hartung, en el ambón de la Iglesia Católica de St. Paul, Pensacola, Florida (foto de Steven Schloeder/Liturgical Environs PC)

Los santos están todos dirigidos hacia el centro del Ambón, como si nuevamente escucharan y revivieran la verdad y la realidad de Cristo Jesús, que por ellos y a través de ellos, el don del Espíritu Santo continúa viviendo en nosotros en la Liturgia de la Palabra.

Here are large photos, including a bilingual description (Eng/Span) of the Ambo and all six saints 

A.Vonn-Hartung_six-saints-wood-carvings(1)

Six Carved Saints es un vídeo del artista que explica el simbolismo de las tallas.

 

“Trabajar con Vonn en la iconografía y la expresión formal del nuevo ambón de la iglesia de San Pablo en Pensacola, Florida, fue una experiencia enriquecedora. Vonn creó una nueva y poderosa interpretación de un tema iconográfico clásico. Los cuatro evangelistas que rodean las figuras de los santos Pedro y Pablo crean una “sacra conversazione” de diálogo entre ellos, con el Señor, que proclama el Evangelio, y con la congregación que escucha al Señor proclamado en el Evangelio. La fuerza de sus figuras, que capturan el espíritu de los evangelistas y los apóstoles de Roma, solo puede provenir de una profunda contemplación y conexión con los temas, y de un profundo dominio de su arte”. —Dr. Steven J. Schloeder, arquitecto, autor de Architecture in Communion (Ignatius Press)

 

 

St. Peter the Apostle

(Scroll down for Spanish text)

“…and so I tell you, Peter: you are a rock, and on this rock foundation I will build my church, and not even death will ever be able to overcome it. I will give you the keys of the Kingdom of heaven; what you prohibit on earth will be prohibited in heaven, and what you permit on earth will be permitted in heaven.” (Matthew 16:18-19)

St. Peter high relief wood sculpture by AVonnHartung
“St. Peter” wood sculpture high relief by AVonnHartung for St. Paul’s Catholic Church (Pensacola, Florida)

Artistically, I have tried through composition and subject matter to place St. Peter in the center of his mission. I have strived to impart a feeling of the harmony brought to him through the gift of the Holy Spirit. In his countenance as a man, I show his strength and vulnerability as well as the dynamic quality of his inspiration.

 

I express Peter’s great humanity by portraying his sensitive concern for his emotional and idealistic vulnerability, as well as his tight grip on the immense task laid upon him.

He is a man of our times, for he is still with us through the sacred succession of popes. I express this in the dome of  Saint Peter’s and the columns of his basilica in the background.

His garments show him as a fisherman and a priest, with both his hood and stola shown against the sea where he fished. He holds the shepherd’s staff with the first ambo from which Jesus preached, which was Peter’s boat. Also on the staff is planet Earth, God’s sacred creation, we call home.

Also emphasized are the keys to heaven and the Holy Spirit in the wind of his garments. He stands upon the rock of Christ’s church, which I have placed emerging from the sea of time and human history, and resembling somewhat the surface of the human heart.

 

 This high relief wood sculpture (12-inches x 33-inches x 3-inches) is one of six saints carved by A.Vonn Hartung for the Ambo of  St. Paul’s Catholic Church in Pensacola, Florida. Pastor Doug Halsema commissioned these carvings through Liturgical Consultant Dr. Steven Schloeder of Liturgical Environs.

The carvings considered as a group: Because Christ is present in His own word in proclaiming the Gospel the carved figures of the saints Peter, Paul, and the Evangelists are all directed towards the center of the Ambo. It is as if they are again listening to and reliving the truth and reality of Christ Jesus. Because of them and through them, the gift of the Holy Spirit continues to live in us in the Liturgy of the Word.

 

Here are large photos, including a bilingual (Eng/Span) description of the Ambo and all six saints—

 
A.Vonn-Hartung_six-saints-wood-carvings(1)

 

Six Carved Saints is a video of the artist explaining the symbolism of the six carvings.

 
“Working with Vonn on the iconography and formal expression of the new ambo at St. Paul’s in Pensacola, Florida, was an enriching experience. Vonn brought forth a powerful new interpretation of a classical iconographic theme. The four Evangelists surrounding the figures of Saints Peter and Paul create a “sacra conversazione” of dialogue among themselves, with the Lord, who proclaims the Gospel, and with the congregation listening to the Lord proclaimed in the Gospel. The power of his figures that capture the spirit of the Evangelists and the Apostles of Rome can only come from deep contemplation and resonance with the subjects, and a profound mastery of his art.” —Dr. Steven J. Schloeder, architect, author of Architecture in Communion (Ignatius Press)

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“…y yo te digo que tú eres Pedro. Sobre esta piedra edificaré mi iglesia y las puertas de los dominios de la muerte no prevalecerán contra ella. Te daré las llaves del reino de los cielos; todo lo que ates en la tierra quedará atado en el cielo y todo lo que desates en la tierra quedará desatado en el cielo.” (Mateo 16: 18-19)

San Pedro“, Escultura en madera, altorrelieve, de AVonn Hartung, para la Iglesia Católica, Saint Paul (Pensacola, Florida).

Artísticamente, he intentado, mediante la composición y la temática, situar a San Pedro en el centro de su misión. Me he esforzado por transmitirle la sensación de la armonía que le trajo el don del Espíritu Santo. En su rostro humano, muestro su fuerza y ​​vulnerabilidad, así como el dinamismo de su inspiración.

Expreso la gran humanidad de Peter al retratar su sensible preocupación por su vulnerabilidad emocional e idealista, así como su firme compromiso con la inmensa tarea que se le había encomendado.

Es un hombre de nuestro tiempo, pues sigue con nosotros a través de la sagrada sucesión de los papas. Lo expreso en la cúpula de San Pedro y en las columnas de su basílica al fondo.

Sus vestimentas lo muestran como pescador y sacerdote, con su capucha y su estola contra el mar donde pescaba. Sostiene el cayado de pastor con el primer ambón desde el que predicó Jesús, que era la barca de Pedro. También en el cayado está el planeta Tierra, la creación sagrada de Dios, que llamamos hogar.

También se destacan las llaves del cielo y el Espíritu Santo en el viento de sus vestiduras. Él se yergue sobre la roca de la iglesia de Cristo, que he colocado emergiendo del mar del tiempo y la historia humana, y que se asemeja en cierta medida a la superficie del corazón humano.

Esta escultura de madera en alto relieve (12 pulgadas x 33 pulgadas x 3 pulgadas) es uno de los seis santos tallados por A. Vonn Hartung para el ambón de la iglesia católica de San Pablo en Pensacola, Florida. El pastor Doug Halsema encargó estas esculturas a través del consultor litúrgico Dr. Steven Schloeder de Liturgical Environs.

Las tallas consideradas como un grupo: Porque Cristo está presente en Su propia palabra al proclamar el Evangelio, las figuras talladas de los santos Pedro, Pablo y los Evangelistas están todas dirigidas hacia el centro del Ambón. Es como si estuvieran nuevamente escuchando y reviviendo la verdad y la realidad de Cristo Jesús. Por ellos y a través de ellos, el don del Espíritu Santo continúa viviendo en nosotros en la Liturgia de la Palabra.

Aquí hay fotografías grandes, incluida una descripción bilingüe del ambón y de los seis santos.

A.Vonn-Hartung_six-saints-wood-carvings(1)

Six Carved Saints es un vídeo del artista que explica el simbolismo de las seis tallas.

“Trabajar con Vonn en la iconografía y la expresión formal del nuevo ambón de la iglesia de San Pablo en Pensacola, Florida, fue una experiencia enriquecedora. Vonn creó una nueva y poderosa interpretación de un tema iconográfico clásico. Los cuatro evangelistas que rodean las figuras de los santos Pedro y Pablo crean una “sacra conversazione” de diálogo entre ellos, con el Señor, que proclama el Evangelio, y con la congregación que escucha al Señor proclamado en el Evangelio. La fuerza de sus figuras, que capturan el espíritu de los evangelistas y los apóstoles de Roma, solo puede provenir de una profunda contemplación y conexión con los temas, y de un profundo dominio de su arte”. —Dr. Steven J. Schloeder, arquitecto, autor de Architecture in Communion (Ignatius Press)

 

Madre Dolorosa Sorrowful Mother

La Madre Dolorosa (Sorrowful Mother) woodcarving by A.Vonn Hartung
La Madre Dolorosa
(Sorrowful Mother)
Woodcarving by A.Vonn Hartung

(Scroll down for Spanish text)

La Madre Dolorosa, a high-relief wood carving, conveys the agony of Jesus through the eyes of his mother, Mary. Specifically, the betrayal by Judas, the arrest, torturous scourging, trial, carrying of the cross, and finally the agonizing crucifixion and death at Golgotha.

The Sorrowful Mother contemplates the seven sorrows of her life, represented by the seven swords piercing her heart.

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