Portraits

St. Francis Xavier, Patron Saint of Missionaries

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In celebration of St.Francis Xavier, Patron Saint of Missionaries

St. Francis Xavier patron saint of missionaries_retablo painting by AVonnHartung, in Parroquia San Francisco Javier (Trujillo Alto, Puerto Rico)This painting shows the humble Jesuit missionary baptizing a youth

St. Francis Xavier brought more than 30,000 souls into the Faith. Known as the “Apostle of the Indies” and “Apostle of Japan”, he is said to have converted more people than anyone else has since Saint Paul, the Apostle.

 

Padre Julio Victor García commissioned this painting/retablo in 2002 for Iglesia San Francisco Javier (Trujillo Alto, Puerto Rico). It measures 6 feet in width by 11 feet in height and is my original design. I built it from solid mahogany, painted it in acrylic, and gilded it with gold and copper leaf.

Symbolic elements of the painting

The vertical format symbolizes this world, our Church, and the witness of the life and evangelizing work of San Francisco Javier.

The frame displays the Sign of the Cross with which we as Christians identify ourselves in and through Baptism. It represents the tireless work of St. Francis, from sunrise to sunset. Additionally, it shows the eternal truth, the Alpha and Omega of Christ. It acts as a window through which we enter to find further truths.

St. Francis Xavier is baptizing a youth. Significantly, the youth symbolize the future church. Hence, we see the people coming to the Faith.

The Holy Family is represented by all who do the Will of the Father. Specifically, they are bringing young souls to be saved.

The Children brought forth by their Godparents engage us in reflection and contemplative prayer.

The Holy Trinity: Above the head of St. Francis, we see the sacred image of the Holy Trinity.  The great 15th-century Russian iconographer Andre Rublev con. Its inclusion is meant to draw us into the mystery of God and to remind us of God’s love. Additionally, it prophetically reminds us of Jesus’ words as expressed in John 15 26-27 (“When the Advocate comes whom I will send you from the Father, the Spirit of truth that proceeds from the Father, he will testify to me. And you also testify, because you have been with me from the beginning.”)

The Background: Surrounding this cascade of divinity with its luminous light and vapors are luxurious examples of Holy Creation. Specifically, the abundance of nature expresses this concept. The breadfruit and mango trees symbolize Love, Beauty, and Resurrection. Additionally, we see the dove drawing closer, and the serpent, which is being driven away.

“They who pray with faith have fervor, and fervor is the fire of prayer. This mysterious fire has the power of consuming all our faults and imperfections, and of giving to our actions, vitality, beauty, and merit.” (Francis Xavier)

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En celebración de San Francisco Javier, Patrón de los Misioneros

"En el Nombre del Padre..." San Francisco Javier Baptizing, retablo painting by AVonnHartung, in Parroquia San Francisco Javier (Trujillo Alto, Puerto Rico)
San Francisco Javier, misionero jesuita

Esta pintura muestra al humilde misionero jesuita bautizando a un joven.

San Francisco Javier convirtió a más de 30.000 almas a la fe. Conocido como el «Apóstol de las Indias» y el «Apóstol del Japón», se dice que convirtió a más personas que nadie desde San Pablo, el apóstol.

El Padre Julio Víctor García encargó esta pintura/retablo en 2002 para la Iglesia San Francisco Javier (Trujillo Alto, Puerto Rico). Mide 6 pies de ancho por 11 pies de alto y es mi diseño original. La construí con caoba maciza, la pinté con acrílico y la doré con pan de oro y cobre.

Elementos simbólicos de la pintura

El formato vertical simboliza este mundo, nuestra Iglesia y el testimonio de la vida y la obra evangelizadora de San Francisco Javier.

El marco muestra la Señal de la Cruz, con la que los cristianos nos identificamos en y a través del Bautismo. Representa la labor incansable de San Francisco, desde el amanecer hasta el anochecer. Además, muestra la verdad eterna, el Alfa y la Omega de Cristo. Actúa como una ventana por la que entramos para encontrar verdades más profundas.

San Francisco Javier bautiza a un joven. Significativamente, los jóvenes simbolizan la iglesia futura. Por lo tanto, vemos a las personas acercarse a la fe.

La Sagrada Familia está representada por todos los que hacen la voluntad del Padre. Específicamente, traen almas jóvenes para la salvación.

Los niños traídos por sus padrinos nos invitan a la reflexión y a la oración contemplativa.

La Santísima Trinidad: Sobre la cabeza de San Francisco, vemos la sagrada imagen de la Santísima Trinidad. El gran iconógrafo ruso del siglo XV, André Rublev, la configuró. Su inclusión busca adentrarnos en el misterio de Dios y recordarnos su amor. Además, nos recuerda proféticamente las palabras de Jesús expresadas en Juan 15:26-27: «Cuando venga el Consolador, que yo os enviaré de parte del Padre, el Espíritu de verdad que procede del Padre, él dará testimonio de mí. Y vosotros también daréis testimonio, porque habéis estado conmigo desde el principio».

El contexto: Rodeando esta cascada de divinidad con su luz luminosa y sus vapores, se encuentran suntuosos ejemplos de la Sagrada Creación. En concreto, la abundancia de la naturaleza expresa este concepto. Los árboles del pan y del mango simbolizan el amor, la belleza y la resurrección. Además, vemos a la paloma acercándose y a la serpiente, que es ahuyentada.

Quienes oran con fe tienen fervor, y el fervor es el fuego de la oración. Este fuego misterioso tiene el poder de consumir todas nuestras faltas e imperfecciones, y de dar a nuestras acciones vitalidad, belleza y mérito. (Francisco Javier)

 

“Let it be Done”

 

(Scroll down for Spanish text)

 

"Let it be Done", painting by AVonnHartung for Walsingham UK
Let it be done, acrylic painting on canvas, 36 x 60 inches

Deep in the night with the Star of Jesus centered in the sky, Mary is in prayer, surrounded by the symbols of her faith. She prays that in some small way she might serve in the coming of the promised Messiah. Suddenly her prayers are answered!

The ceiling opens!

The Archangel Gabriel descends in divine glory and declares the message from God the Father. After pondering the words and their meaning deeply in her heart, Mary gives her consent.

At that very moment, she is filled with the luminous light of grace. She vows to fulfill the will of the Father and to deliver His only Son, incarnate as Jesus Christ, into the world according to His divine plan for our salvation.

A Vonn Hartung created this painting (acrylic 36″x 60″) for EWTN (UK)’s new welcoming center at the National Shrine of England (Mary’s House of Nazareth) in the village of Walsingham. The painting is an interpretation of the visions which Blessed Anne Catherine Emmerich (Augustinian Nun) received in 1821. Additionally, the artist has added symbolism to enhance and clarify the spiritual and prophetic consequences of the Annunciation Event.

SYMBOLISM IN THE PAINTING

The opening of the roof exposes the open sky. Here we see the constellations of Virgo and Leo and the location of the holy house in Nazareth. The Star of Jesus, better known as the Star of Bethlehem,  signifies the presence and the will of the Father.

Mary’s Halo shows an ethereal lightening, a shimmering of the atmosphere around her head. This indicates her divine nature, her luminosity, and her state of grace.

The Scroll on the prayer table symbolizes the prophecy of Isaiah. (“Behold a virgin shall conceive, and bear a son, and his name shall be called Immanuel” Isaiah 7:14).

Mary’s belt shows a symbol of the Fetus.

The Three Lilies on the prayer table remind us of Joseph’s promise to honor Mary’s vow of virginity and dedication to the Lord.

The Three Lilies carried by the archangel Gabriel are a sign of the fulfillment of her vow and a blessing of her faithfulness.

The Rug (woven in lamb’s wool) represents Mary’s faith and prayer life. Its design emanates from and surrounds the Star of Jesus. (“For we have seen his star in the east…” Matthew 2:2) Significantly, it is composed of symbols and scenes from the life of Christ to come.

The design of the Floor Tiles symbolizes the flow that spread the Christian Faith from nation to nation throughout the world. (“Go ye and teach all nations baptizing them in the name of the Father, and the Son, and of the Holy Spirit” Matthew 28:19).

The Fireplace is a symbol of the home and family, of warmth, well-being, and security.

The Drawn Curtain on Mary’s bed reminds us of the torn veil of the temple (Matthew 27:51). Hence, it is a symbol of hope, reminding us of Christ’s sacrifice on the cross, death and resurrection, and promise of eternal life. The faint spectrum of color emanating from the curtain is a symbol of revelation.

The Hope Chest beneath the bed reminds us of the simplicity and humble social status of Mary.  This young bride of Joseph the Carpenter will become the Mother of God.

Amen

THE WALSINGHAM STORY

“In 1061, the widow of the lord of the manor of Walsingham (Richeldis de Faverches) had a series of visions of the Virgin Mary, who showed her the house in Nazareth where the angel Gabriel made his revelation of the forthcoming birth of Jesus. Our Lady asked Richeldis to build a replica of the holy house in Walsingham.” It was a time when visiting the Holy Land was extremely dangerous, so this replica of Mary’s House would afford English Christians the opportunity to pay homage to her house in their own country. Walsingham became the premier shrine, and a large Christian community and monastery grew in its proximity.

“During medieval times, thousands of pilgrims from all over Britain and Europe visited Walsingham, including nearly all the kings and queens of England from Henry III (c. 1226). Royal visits continued right up to Henry VIII (1511). Then came the Reformation in 1538.”
When the pope refused to grant him a divorce from Catherine of Aragon, Henry VIII ordered the destruction of Mary’s House in 1538. It was burned to the ground, and the statue of Our Lady was taken to London to be destroyed.

Today, 350,000 pilgrims annually visit the Shrine at Walsingham

 “When England returns to Walsingham, Our Lady will return to England.”

(Pope Leo XIII)

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"Let it be Done", painting by AVonnHartung for Walsingham UK
Let it be done, acrylic painting on canvas, 36 x 60 inches.

En lo profundo de la noche, con la Estrella de Jesús centrada en el cielo, María está en oración, rodeada de los símbolos de su fe. Ella ora para que de alguna pequeña manera pueda servir en la venida del Mesías prometido. ¡De repente sus oraciones son respondidas!

¡El techo se abre!

El Arcángel Gabriel desciende en gloria divina y declara el mensaje de Dios Padre. Después de reflexionar profundamente en su corazón, las palabras y su significado, Mary da su consentimiento.

En ese mismo momento, ella se llena de la luz luminosa de la gracia cuando promete cumplir la voluntad del Padre y entregar a Su único Hijo encarnado como Jesucristo en el mundo de acuerdo con Su plan divino para nuestra salvación.

La pintura original mide 3 x 5 pies, acrílico sobre lienzo. Pinté este lienzo para el Santuario Nacional de Inglaterra en Walsingham (haga clic en el enlace para leer más). Es mi interpretación de una visión que la Beata Anne Catherine Emmerich (Monja Agustina) tuvo en 1821. Está en el Centro de Acogida de EWTN para peregrinos en Walsingham, Reino Unido. Además, el artista ha añadido simbolismo para realzar y aclarar las consecuencias espirituales y proféticas del acontecimiento de la Anunciación.

SIMBOLISMO EN LA PINTURA

La abertura del techo deja al descubierto el cielo abierto. Aquí vemos las constelaciones de Virgo y Leo y la ubicación de la santa casa en Nazaret. La Estrella de Jesús, más conocida como la Estrella de Belén, significa la presencia y la voluntad del Padre.

El Halo de María muestra un resplandor etéreo, un resplandor de la atmósfera alrededor de su cabeza. Esto indica su naturaleza divina, su luminosidad y su estado de gracia.

El Rollo sobre la mesa de oración simboliza la profecía de Isaías: (“He aquí que la virgen concebirá y dará a luz un hijo, y se llamará Emanuel” Isaías 7:14).

El cinturón de María muestra un símbolo del Feto.

Los Tres Lirios en la mesa de oración nos recuerdan la promesa de José de honrar el voto de virginidad y dedicación de María al Señor.

Los Tres Lirios que lleva el ángel Gabriel son un signo del cumplimiento de su voto y una bendición de su fidelidad.

La Alfombra (tejida en lana de cordero) representa la fe y la vida de oración de María. Su diseño emana de la Estrella de Jesús y la rodea. (“Porque hemos visto su estrella en el oriente…” Mateo 2:2). Significativamente, está compuesta por símbolos y escenas de la vida de Cristo venidero.

El diseño de las Baldosas simboliza la corriente que difundió la fe cristiana de nación en nación por todo el mundo. (“Id y haced discípulos a todas las naciones, bautizándolas en el nombre del Padre, y del Hijo, y del Espíritu Santo” Mateo 28:19).

La Chimenea es símbolo del hogar y la familia, de calidez, bienestar y seguridad.

La cortina corrida sobre el lecho de María nos recuerda el velo rasgado del templo (Mateo 27:51). Por lo tanto, es un símbolo de esperanza, que nos recuerda el sacrificio de Cristo en la cruz, su muerte y resurrección, y la promesa de vida eterna. El tenue espectro de color que emana de la cortina es un símbolo de revelación.

El baúl de la esperanza debajo de la cama nos recuerda la sencillez y el humilde estatus social de María. Esta joven esposa de José el Carpintero se convertirá en la Madre de Dios.

Amén

 

LA HISTORIA DE WALSINGHAM

En 1061, la viuda del señor del feudo de Walsingham (Richeldis de Faverches) tuvo una serie de visiones de la Virgen María, quien le mostró la casa de Nazaret donde el ángel Gabriel le reveló el inminente nacimiento de Jesús. Nuestra Señora le pidió a Richeldis que construyera una réplica de la santa casa en Walsingham. Era una época en la que visitar Tierra Santa era extremadamente peligroso, por lo que esta réplica de la Casa de María brindaría a los cristianos ingleses la oportunidad de rendir homenaje a su casa en su propio país. Walsingham se convirtió en el santuario más importante, y una gran comunidad cristiana y un monasterio crecieron en sus proximidades.

Durante la época medieval, miles de peregrinos de toda Gran Bretaña y Europa visitaron Walsingham, incluyendo a casi todos los reyes y reinas de Inglaterra desde Enrique III (c. 1226). Las visitas reales continuaron hasta Enrique VIII (1511). Luego llegó la Reforma en 1538. Cuando el Papa se negó a concederle el divorcio de Catalina de Aragón, Enrique VIII ordenó la destrucción de la Casa de María en 1538. Fue quemada hasta los cimientos y la estatua de Nuestra Señora fue llevada a Londres para ser destruida.

Hoy en día, 350.000 peregrinos visitan anualmente el Santuario de Walsingham.

 

«Cuando Inglaterra regrese a Walsingham, Nuestra Señora regresará a Inglaterra».

(Papa León XIII)

 

 

 

 

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Teacher Mentor Friend Hero

As I prepare to travel to my high school reunion, the image which completely dominates my mind’s eye is Francis X Sweeney, an iconic figure in my life and in the lives of generations of students in Waterford, Connecticut.

 

Francis X Sweeney (circa 1960)
Francis X Sweeney (circa 1960)

“Fran Sweeney has been the face of athletics in Waterford, Connecticut from an education perspective, for 60 plus years. He was truly the originator of the athletic program. Every sport that came about, he would have his hand in setting it up for the school.” (Dan Steward, First Selectman)

A native of Maine, Mr. Sweeney began teaching physical education in Waterford in 1951. When the high school opened in 1956, he became the first athletic director, and also taught math, science and health. He coached nearly every sport and doubled as a trainer, lifeguard and swimming instructor. A father of six and devoted husband to Betty Cragin Sweeney, he was insistent on having as many sports for women as men. He was committed to Waterford, becoming a member of both the Boards of Education and the Waterford Recreation and Parks Committee.

When finally retiring after 28 years of teaching and coaching, he began a new career in nursing and sports medicine which earned him the honorable title of “Doc” and all this while still coaching at Connecticut College and officiating softball. He fulfilled his own motto “Do your best!”

You didn’t have to be an athlete to be in Fran’s inner circle. He looked at who the person was and what their qualities were.

Portrait of a Hero Francis X Sweeney, TeacherMentorFriend_oil portrait by AVonnHartung
Francis X Sweeney, “TeacherMentorFriend” Oil portrait

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He loved the students of Waterford, acting as a mentor to many.

He was a terrific person from a high school kid’s perspective. He was always so approachable. I think every kid that went through those halls had a similar perspective to who he was. He had this magnetism that was pretty powerful.” (Jim Cavalieri WHS 1973)

In April 2013 I contacted a group of friends from the class of 1960 and we launched a grassroots effort to change a 213 year old town policy which prohibited naming buildings or fields after any one person.

It was like a tsunami! It took on a life of its own. Communicating with all these people, most of them much younger than me, that’s what would have excited Fran the most, that we were all connecting and working together.

Hundreds of people signed petitions and on September 26th the Board of Education voted to change the policy and on October 29th unanimously voted to name the new athletic complex the Francis X Sweeney Field House.

Now, 213 years later, they have changed the policy and the town has assumed a personality. And there is no better personality to choose than Francis X Sweeney.

Plaque Text for Francis X Sweeney Field House
Plaque Text for Francis X Sweeney Field House

See the video tribute to Francis X Sweeney

 

I was deeply inspired to paint an oil portrait of Mr. Sweeney shortly after he passed away in December 2012. The painting was later reproduced as a very large giclee print on canvas and unveiled by the Sweeney family at the Dedication Ceremony  in January 2014.

Sweeney Family unveils portrait of Francis X Sweeney by AVonnHartung
Sweeney Family unveils portrait of Francis X Sweeney by AVonnHartung

The idea of painting a portrait was planted in my mind even before I thought about naming the field house for him. He was such a good friend and it was something that I could do despite me being so far away.

“The portrait…shows Sweeney in the foreground holding a basketball, as if he were inviting the viewer to join him to shoot some hoops.”

When I started, I closed my eyes and thought of Fran in his fullest. The essence of Fran Sweeney was that he wanted to play ball and he wanted you to play ball with him. He wanted people to learn, to have fun and to feel good in their own bodies.

 

 

Television Interview with A.Vonn Hartung

Update: See the video interview

EWTN (Eternal Word Television Network) will be airing an interview on March 5, 2015 with A.Vonn Hartung about Blessed Carlos Manuel Rodríguez Santiago, and Vonn’s experience painting the portrait that is at the Vatican.

THE CHURCH IN PUERTO RICO (30 minute duration)
Thursday March 5 at 3:00 am & 6:30 pm Eastern Time
[Puerto Rico time: 4:00 am and 7:30 pm]

The first 15 minutes of the program is a conversion story about a young man who turned his life around and is now studying for the priesthood; the second part is the interview with Vonn.

The EWTN program can be seen on–
Liberty Cablevision Channel 103 ( in Puerto Rico)
Dish Network Channel 261
DirecTV Channel 350
ROKU

Please visit the EWTN website for channel listings in your local area.
http://www.ewtn.com

Blessed Carlos Manuel Rodríguez Santiago portrait by AVonnHartung_at Pontifical North American College Vatican
“Blessed Carlos Manuel Rodríguez Santiago”
Oil portrait-
at Pontifical North American College, Vatican

 

This is the oil portrait of Blessed Carlos Manuel Rodriguez Santiago by A.Vonn Hartung © 2001, presented to the Pontifical North American College at the Vatican on the occasion of the beatification of Carlos Manuel on 29 april 2001, and is on permanent display there in the Hall of Saints. Learn more

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Our Lady of Guadalupe with St. Juan Diego

"Apparition of Our Lady of Guadalupe with St. Juan Diego" painting by AVonnHartung
“Apparition of Our Lady of Guadalupe with St. Juan Diego” painting by AVonnHartung

Today we celebrate the Feast of Our Lady of Guadalupe, Patroness of Mexico and Empress of the Americas…today December 12, the day that she left her image imprinted on Juan Diego’s tilma. (translation from La Palabra Entre Nosotros)

This painting also celebrates St. Juan Diego, whose Feast Day is December 9th.

In 2003 I was commissioned by Parroquia San Ignacio (9:30 Community) in San Juan, Puerto Rico, to paint “Our Lady of Guadalupe with St. Juan Diego” to be given as a gift to Father Donald Vega SJ, on the occasion of his 50th anniversary as a priest. (She is his personal patron saint)

I added a personal detail by including his dog Luigi in the foreground. Luigi and Lola were orphaned dogs taken in by Father Vega. They would lie down before the altar and in the first pew everyday as he celebrated mass.

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A brief history of Our Lady of Guadalupe.

 

Spanish translation follows

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Love Lives!

Most Recent Portrait by A.VonnHartung 2014

"Love Lives" pastel portraits by AVonnHartung
“Love Lives!” pastel portrait by AVonnHartung

The painting of portraits (artist’s statement)

Next to Sacred Art, portrait painting is for me a deep spiritual experience, a prayerful endeavor.

In and through the physical characteristics of the person being painted is a map guiding me through and beyond emotions to near where the soul of the person lives. Here I coax the soul out, so-to-speak, with whispers and fleeting glimpses through compassion, intuition and something mystical. This hopefully endows the finished image with a FEELING of who the person being painted IS.
 
I always speak in the present tense of portraits because they have a soul and the soul always lives and is present. AVH
 

“Love Lives!” (Manuel Diaz and Family) pastel portrait by A.Vonn Hartung 2014

Blessed Carlos Manuel Rodríguez

Blessed Carlos Manuel Rodríguez

Two portraits by A.Vonn Hartung

Blessed Carlos Manuel Rodríguez was beatified thirteen years ago today on April 29, 2001, by His Holiness (now Saint) John Paul II. Furthermore, “he was the first Puerto Rican, the first Caribbean-born layperson and the first layperson in the history of the United States to be beatified.

At the core of Blessed Carlos Manuel Rodriguez’ spirituality (Pope John Paul II  said) was his faith in the Resurrection. He promoted the Easter Vigil as the defining moment of Christian spiritual life, repeating often, “We live for that night.” (Vivimos para esa Noche)

BlessedCarlosManuel Rodriguez2_vonn hartung
Blessed Carlos Manuel Rodríguez
Oil portrait by A. Vonn Hartung 2001

In 2001 I was deeply honored and humbled to be commissioned by the archbishop of San Juan, Monsignor Roberto González Nieves, to paint the official portrait of Blessed Carlos Manuel Rodríguez. Significantly, it was to be given as a gift from Puerto Rico to the Pontifical North American College in Vatican City. Indeed it is exhibited there in the Hall of Saints.

The Portrait is painted with various symbolic elements. They express a visual prayer that “speaks to the eye”. In other words, what was it that helped bring Blessed Carlos Manuel Rodriguez to such an intimate connectedness to our Lord and Savior? The absolute serenity and joy in Charlie’s look is the faith that we seek. It is the faith that seeks us.

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El Jíbaro Puertorriqueño

Today is Earth Day. What better moment to pay homage to the noble “El Jíbaro Puertorriqueño”, the Puerto Rican cultural icon!

“El Jíbaro” symbolizes to me the “salt of the Earth”

El Jíbaro Puertorriqueño
El Jíbaro
Oil portrait by A.Vonn Hartung

El Jibaro Puertorriqueño” is a painting inspired by my neighbors who have cultivated the land of their ancestors from the beginning.

Don Pepe represents for me all those who still cultivate the land; living links to our past, sustenance today, and hope for abundance and sustainability in the future.

He represents, on the one hand, the constant battle between the so-called permanence of concrete and asphalt, which is quickly engulfing our fertile land and drying up our lakes and rivers due to urban sprawl and the overwhelming dominance of the automobile as a symbol of impoverished planning.

And on the other hand, the stability and sustainability through cosmic spirituality, which, along with intact families, are our guarantee of a healthy, harmonious continuity, which must offset the suicidal (or more aptly expressed, planeticidal*) race to deplete our natural resources.

*the killing of our own planet

 

This painting was inspired by my neighbor Don Pepe “el Múcaro” (the Owl) O’Neill, whom I am proud to call my friend. May he rest in peace!

(16″x20″ oil portrait, artist’s collection)

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Hoy es “Dia de la Tierra” ¡Que mejor momento para rendir homenaje al noble “El Jíbaro Puertorriqueño“, el icono cultural puertorriqueño!

El Jíbaro” simboliza para mi la “sal de la tierra”

El Jíbaro Puertorriqueño” es una obra inspirada por mis vecinos que han cultivado la tierra de sus antepasados desde el principio.

Don Pepe representa para mí todos los que todavía cultivan la tierra; vínculos vivientes con nuestro pasado, sostenimiento hoy y esperanza de abundancia y sostenibilidad para el futuro.

Él representa, por un lado, la batalla constante entre la supuesta permanencia de hormigón y asfalto, que envuelva rápidamente nuestra tierra fértil y seca nuestros lagos y ríos debido a la expansión urbana y el abrumador dominio del automóvil como símbolo de la empobrecida planificación.

Y por otro lado, la estabilidad y sostenibilidad a través de la espiritualidad cósmica que, junto con las familias intactas, son nuestra garantía de una continuidad sana y armoniosa que debe contrarrestar la carrera suicida (o mejor expresada, planetacida*) por agotar nuestros recursos naturales.

*la matanza de nuestro propio planeta

 

Esta pintura está inspirada en mi vecino, Don Pepe “el Múcaro” O’Neill, a quien me enorgullece llamar amigo. ¡Que en paz descanse!

(“El Jíbaro” es un retrato en óleo 16″ x 20″, colección del artista)